First Assistant Director, Producer - Produced By - P.g.a.
Blonde (2022)
Directed by: Andrew Dominik
Cinematography by: Chayse Irvin
Edited by: Adam Robinson
Lenses: ARRI Rental HEROES LOOK Lens
First Assistant Director
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Executive Producer, First Assistant Director
Booksmart (2019)
Directed by: Olivia Wilde
Cinematography by: Jason McCormick
Cameras: ARRI ALEXA Mini Camera
Executive Producer, First Assistant Director
Mid90s (2018)
Directed by: Jonah Hill
Cinematography by: Christopher Blauvelt
Edited by: Nick Houy
Cameras: ARRIFLEX 416 Camera
First Assistant Director
First Man (2018)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Co-producer, First Assistant Director
Why Him? (2016)
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Co-producer, First Assistant Director
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Co-producer, First Assistant Director
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Co-producer, First Assistant Director
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
First Assistant Director
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Associate Producer, First Assistant Director
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
First Assistant Director: Jordan
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
First Assistant Director
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
First Assistant Director
Eat Pray Love (2010)
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
First Assistant Director
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
First Assistant Director
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
First Assistant Director
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
First Assistant Director
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
First Assistant Director
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
First Assistant Director
Superbad (2007)
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
First Assistant Director
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
First Assistant Director
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
First Assistant Director
A Mighty Wind (2003)
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
First Assistant Director: New York / Second Assistant Director
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Second Assistant Director
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Second Assistant Director
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Director
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Second Second Assistant Director
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Second Assistant Director
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Second Assistant Director
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Second Assistant Director
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Second Second Assistant Director
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Second Second Assistant Director
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Second Second Assistant Director
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Second Second Assistant Director
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Second Second Assistant Director
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Key Set Production Aide
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Production Assistant
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Set Production Assistant
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
Production Assistant
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
