Special Effects Foreman
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Fabricator
'Mindhunter' Episode #1.3 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Fabricator - 1 Episode, 2017
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Special Effects Technician
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Special Effects Foreman
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Rigger
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Pyrotechnician
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Special Effects Foreman
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Second Unit Coordinator / Special Effects Foreman
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Special Effects Foreman
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Special Effects Foreman
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Special Effects Technician
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Special Effects Foreman
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Special Effects Technician
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Pyrotechnician
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Pyrotechnician
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Special Effects Foreman / Special Effects Technician, Stunt Rigger
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Pyrotechnician
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Rigging Grip
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Key Rigging Grip
'Arrested Development' Missing Kitty (2004)
Directed by: Joe Russo
Cinematography by: Greg Harrington
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' Storming the Castle (2004)
Directed by: Greg Mottola
Cinematography by: James Hawkinson
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' Pier Pressure (2004)
Directed by: Joe Russo
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' Public Relations (2004)
Directed by: Lee Shallat Chemel
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' Marta Complex (2004)
Directed by: Joe Russo
Cinematography by: Greg Harrington
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' Beef Consomme (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Greg Harrington
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' Altar Egos (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Greg Harrington
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' Staff Infection (2004)
Directed by: John Fortenberry
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Key Rigging Grip
'Arrested Development' Shock and Aww (2004)
Directed by: Joe Russo
Cinematography by: Greg Harrington
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' Justice Is Blind (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Greg Harrington
Key Rigging Grip
'Arrested Development' Best Man for the Gob (2004)
Directed by: Lee Shallat Chemel
Cinematography by: Greg Harrington
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' Whistler's Mother (2004)
Directed by: Paul Feig
Cinematography by: Greg Harrington
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' Not Without My Daughter (2004)
Directed by: Lee Shallat Chemel
Cinematography by: Greg Harrington
Edited by: Robert Bramwell
Key Rigging Grip
'Arrested Development' Let 'Em Eat Cake (2004)
Directed by: Paul Feig
Cinematography by: Greg Harrington
Edited by: Steven Sprung
Special Effects Technician
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Key Rigging Grip
'Arrested Development' Pilot (2003)
Cinematography by: James Hawkinson
Edited by: Lee Haxall
Special Effects Foreman
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Key Rigging Grip
'Arrested Development' Top Banana (2003)
Directed by: Anthony Russo
Cinematography by: James Hawkinson
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' Bringing Up Buster (2003)
Directed by: Joe Russo
Cinematography by: James Hawkinson
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' Key Decisions (2003)
Directed by: Anthony Russo
Cinematography by: James Hawkinson
Edited by: Mark Scheib
Key Rigging Grip
'Arrested Development' Charity Drive (2003)
Directed by: Greg Mottola
Cinematography by: James Hawkinson
Edited by: Mark Scheib
Key Rigging Grip
'Arrested Development' Visiting Ours (2003)
Directed by: Greg Mottola
Cinematography by: James Hawkinson
Edited by: Steven Sprung
Key Rigging Grip
'Arrested Development' In God We Trust (2003)
Directed by: Joe Russo
Cinematography by: James Hawkinson
Edited by: Lee Haxall
Key Rigging Grip
'Arrested Development' My Mother the Car (2003)
Directed by: Jay Chandrasekhar
Cinematography by: James Hawkinson
Edited by: Steven Sprung
Utility Stunts
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Key Rigging Grip - 22 Episodes, 2003-2004
Arrested Development (2003)
Directed by: Troy Miller, Mitchell Hurwitz, Joe Russo, Paul Feig, Anthony Russo, Lee Shallat Chemel, Jay Chandrasekhar, Greg Mottola, John Fortenberry, Peter Lauer, Robert Berlinger, Lev L. Spiro, Jason Bateman, Patty Jenkins, Jeff Melman, John Amodeo, Andrew Fleming, Danny Leiner, Chuck Martin, Arlene Sanford, Rebecca Asher
Cinematography by: Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas
Edited by: Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath
Lenses: Angenieux Optimo Zoom Lenses
Special Effects Technician
Point of Origin (2002)
Directed by: Newton Thomas Sigel
Cinematography by: Anthony G. Nakonechnyj
Edited by: Cindy Mollo
