Sherri Potter

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Thor: Ragnarok | ShotOnWhat?

President: Worldwide Post-production, Technicolor

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Doctor Strange | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Captain America: Civil War | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Guardians of the Galaxy | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Paddington | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

Inside Llewyn Davis | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Inside Llewyn Davis (2013)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Bruno Delbonnel

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System

Thor: The Dark World | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

Gravity | ShotOnWhat?

President, Worldwide Post Production: Technicolor

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Adjustment Bureau | ShotOnWhat?

President, Worldwide Post Production: Technicolor

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

J. Edgar | ShotOnWhat?

President, Worldwide Post Production: Technicolor

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Case 39 | ShotOnWhat?

Vice President: North America Sales: Technicolor

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Watchmen | ShotOnWhat?

Vice President: North America Sales: Technicolor

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Push | ShotOnWhat?

Vice President: North America Sales: Technicolor

Push (2009)

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Jennifer's Body | ShotOnWhat?

Vice President: North America Sales: Technicolor

Jennifer's Body (2009)

Directed by: Karyn Kusama

Cinematography by: M. David Mullen

Edited by: Plummy Tucker

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses

Snow Buddies | ShotOnWhat?

Vice President: North America Sales: Technicolor

Snow Buddies (2008)

Direct to Video

Directed by: Robert Vince

Cinematography by: Kamal Derkaoui

Edited by: Kelly Herron

Chaos Theory | ShotOnWhat?

Vice President: North America Sales: Technicolor

Chaos Theory (2008)

Directed by: Marcos Siega

Cinematography by: Ramsey Nickell

Edited by: Nicholas Erasmus

45 R.P.M. | ShotOnWhat?

Vice President: North America Sales: Technicolor

45 R.P.M. (2008)

Directed by: Dave Schultz

Cinematography by: Craig Wrobleski

Edited by: Bridget Durnford

The Day the Earth Stood Still | ShotOnWhat?

Vice President: North America Sales: Technicolor

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

While She Was Out | ShotOnWhat?

Vice President: North America Sales: Technicolor

While She Was Out (2008)

Directed by: Susan Montford

Cinematography by: Steve Gainer

Edited by: William M. Anderson

Shattered | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Shattered (2007)

Directed by: Mike Barker

Cinematography by: Ashley Rowe

Edited by: Guy Bensley, Bill Sheppard

Trick 'r Treat | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Trick 'r Treat (2007)

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

Are We Done Yet? | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Are We Done Yet? (2007)

Directed by: Steve Carr

Cinematography by: Jack N. Green

Edited by: Craig Herring

Code Name: The Cleaner | ShotOnWhat?

Account Executive: Technicolor Creative Services Vancouver, Vice President: West Coast Sales: Technicolor

Code Name: The Cleaner (2007)

Directed by: Les Mayfield

Cinematography by: David Franco

Edited by: Michael Matzdorff

Things We Lost in the Fire | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Things We Lost in the Fire (2007)

Directed by: Susanne Bier

Cinematography by: Tom Stern

Edited by: Pernille Bech Christensen, Bruce Cannon

The Invisible | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

War | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

War (2007)

Directed by: Philip G. Atwell

Cinematography by: Pierre Morel

Edited by: Scott Richter

Wind Chill | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Wind Chill (2007)

Directed by: Gregory Jacobs

Cinematography by: Dan Laustsen

Edited by: Lee Percy

Juno | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Juno (2007)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

In the Land of Women | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

In the Land of Women (2007)

Directed by: Jonathan Kasdan

Cinematography by: Paul Cameron

Edited by: Marty Levenstein, Carol Littleton

Deck the Halls | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Deck the Halls (2006)

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Paul Hirsch, James Start

Air Buddies | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Air Buddies (2006)

Direct to Video

Directed by: Robert Vince

Cinematography by: Mike Southon

Edited by: Kelly Herron, Jason Pielak

Final Destination 3 | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Final Destination 3 (2006)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Firewall | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Firewall (2006)

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

Black Christmas | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Black Christmas (2006)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Eight Below | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Eight Below (2006)

Directed by: Frank Marshall

Cinematography by: Don Burgess

Edited by: Christopher Rouse

John Tucker Must Die | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

John Tucker Must Die (2006)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Fido | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Fido (2006)

Directed by: Andrew Currie

Cinematography by: Jan Kiesser

Edited by: Roger Mattiussi

Capote | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Capote (2005)

Directed by: Bennett Miller

Cinematography by: Adam Kimmel

Edited by: Christopher Tellefsen

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Just Friends | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Just Friends (2005)

Directed by: Roger Kumble

Cinematography by: Anthony B. Richmond

Edited by: Jeff Freeman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Fantastic Four | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

The Exorcism of Emily Rose | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

The Exorcism of Emily Rose (2005)

Directed by: Scott Derrickson

Cinematography by: Tom Stern

Edited by: Jeff Betancourt

Alone in the Dark | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Alone in the Dark (2005)

Directed by: Uwe Boll

Cinematography by: Mathias Neumann

Edited by: Richard Schwadel

Are We There Yet? | ShotOnWhat?

Vice President: West Coast Sales: Technicolor

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

The Butterfly Effect | ShotOnWhat?

Senior Visual Effects Producer

The Butterfly Effect (2004)

Directed by: Eric Bress, J. Mackye Gruber

Cinematography by: Matthew F. Leonetti

Edited by: Peter Amundson

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