Adr Mixer
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Adr Mixer
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Re-recording Mixer
Jackie (2016)
Directed by: Pablo Larraín
Cinematography by: Stéphane Fontaine
Edited by: Sebastián Sepúlveda
Cameras: ARRIFLEX 416 Plus Camera
Adr Mixer
The Program (2015)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Adr Mixer
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Re-recording Mixer
La dernière leçon (2015)
Directed by: Pascale Pouzadoux
Cinematography by: Nicolas Brunet
Edited by: Sylvie Gadmer
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Horsehead (2014)
Directed by: Romain Basset
Cinematography by: Vincent Vieillard-Baron
Cameras: Red One MX Camera
Re-recording Mixer: Temp Mix
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Blood Ties (2013)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Adr Recordist / Foley Recordist
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Sound Re-recording Technician
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Foley Mixer / Re-recording Mixer
Maniac (2012)
Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Adr & Foley Mixer
Nous York (2012)
Cinematography by: Stéphane Le Parc
Edited by: Benjamin Weill
Cameras: ARRI ALEXA Camera
Adr Recordist
Thérèse (2012)
Directed by: Claude Miller
Cinematography by: Gérard de Battista
Edited by: Véronique Lange
Cameras: ARRI ALEXA Camera
Foley Mixer
On ne choisit pas sa famille (2011)
Directed by: Christian Clavier
Cinematography by: Pascal Ridao
Edited by: Christophe Pinel
Re-recording Mixer
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Re-recording Mixer Assistant
Colombiana (2011)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Edited by: Camille Delamarre
Foley Mixer
Forces spéciales (2011)
Directed by: Stéphane Rybojad
Cinematography by: David Jankowski
Cameras: ARRI ALEXA Camera
Additional Sound Re-recording Mixer
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Re-recording Mixer
L'amour, c'est mieux à deux (2010)
Cinematography by: Éric Guichard
Edited by: Sylvie Gadmer
Re-recording Mixer
From Paris with Love (2010)
Directed by: Pierre Morel
Cinematography by: Michel Abramowicz
Edited by: Frédéric Thoraval
Adr Mixer
Beginners (2010)
Directed by: Mike Mills
Cinematography by: Kasper Tuxen
Edited by: Olivier Bugge Coutté
Cameras: Red One Camera
Re-recording Mixer
Les aventures extraordinaires d'Adèle Blanc-Sec (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Additional Re-recording Mixer
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Re-recording Mixer
Coco Before Chanel (2009)
Directed by: Anne Fontaine
Cinematography by: Christophe Beaucarne
Edited by: Luc Barnier
Re-recording Mixer
Blood: The Last Vampire (2009)
Directed by: Chris Nahon
Cinematography by: Hang-Sang Poon
Edited by: Marco Cavé
Cameras: ARRI Cameras, ARRIFLEX 435 Xtreme Camera
Sound Mix Technician
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Secret défense (2008)
Directed by: Philippe Haïm
Cinematography by: Jérôme Alméras
Edited by: Sylvie Landra
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
Les femmes de l'ombre (2008)
Directed by: Jean-Paul Salomé
Cinematography by: Pascal Ridao
Edited by: Marie-Pierre Renaud
Assistant Re-recording Mixer
Goya's Ghosts (2006)
Directed by: Milos Forman
Cinematography by: Javier Aguirresarobe
Edited by: Adam Boome
Re-recording Mixer
Les brigades du Tigre (2006)
Directed by: Jérôme Cornuau
Cinematography by: Stéphane Cami
Edited by: Brian Schmitt
Re-recording Mixer
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Sound Mix Technician
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Mix Tech
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Assistant Sound Re-recording Mixer
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Sound Recordist
A Very Long Engagement (2004)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Sound Recordist
Two Brothers (2004)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Re-recording Mixer
La demoiselle d'honneur (2004)
Directed by: Claude Chabrol
Cinematography by: Eduardo Serra
Edited by: Monique Fardoulis
Sound Mix Technician
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Sound Mix Technician
Irreversible (2002)
Directed by: Gaspar Noé
Edited by: Gaspar Noé
Cameras: Aaton A-Minima Camera
Sound Recordist
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
