Compositor: Peerless
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Compositor: Peerless
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositor: Peerless
Youth (2015)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Cameras: Red Epic Dragon Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Compositor: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Compositor: LipSync Post
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Digital Compositor
Now Is Good (2012)
Directed by: Ol Parker
Cinematography by: Erik Wilson
Edited by: Peter Lambert
Lenses: Zeiss Master Prime Lenses
Digital Compositor
'Merlin' The Disir (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Digital Compositor
'Merlin' The Death Song of Uther Pendragon (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Jeremy Strachan
Digital Artist: The Senate VFX
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor
'Merlin' Arthur's Bane: Part Two (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Simon Reglar
Digital Compositor: Nvizible
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Compositor
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Digital Compositor
'Merlin' Arthur's Bane: Part One (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Simon Reglar
Digital Compositor: LipSync Post
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Digital Compositor: Lip Sync Post
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Compositor: LipSync Post
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Digital Compositor
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Digital Artist: Nvizible
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Artist: Nvizible
The Infidel (2010)
Directed by: Josh Appignanesi
Cinematography by: Natasha Braier
Edited by: Kim Gaster
Compositor: Nvizible
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Digital Compositor
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Compositor: Baseblack
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Digital Compositor - 4 Episodes, 2012
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Digital Compositor: Baseblack
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor: Baseblack
Killshot (2008)
Directed by: John Madden
Cinematography by: Caleb Deschanel
Digital Compositor: Baseblack
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Baseblack
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Baseblack
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Digital Compositor: Baseblack
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Digital Compositor: Baseblack Visual Effects
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Roto/prep Artist: MPC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Roto/prep Artist: MPC
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Roto/prep Artist: MPC
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Roto/prep Artist: MPC
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Matchmove And Rotoscoping: MPC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Digital Artist: MPC
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Roto/prep Artist: MPC
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
2D Support
Dead Man's Shoes (2004)
Directed by: Shane Meadows
Cinematography by: Danny Cohen
Editing System: Final Cut Pro Editing System
Titles Support
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
