Visual Effects Supervisor
In Fabric (2018)
Directed by: Peter Strickland
Cinematography by: Ari Wegner
Edited by: Mátyás Fekete
Cameras: ARRI ALEXA Mini Camera
Visual Effects Supervisor
'Doctor Who' World Enough and Time (2017)
Directed by: Rachel Talalay
Cinematography by: Ashley Rowe
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' Thin Ice (2017)
Directed by: Bill Anderson
Cinematography by: Damian Bromley
Edited by: Adam Trotman
Visual Effects Supervisor
'Doctor Who' Knock Knock (2017)
Directed by: Bill Anderson
Cinematography by: Damian Bromley
Edited by: Adam Trotman
Visual Effects Supervisor
'Doctor Who' Extremis (2017)
Directed by: Daniel Nettheim
Cinematography by: Ashley Rowe
Edited by: Xavier Russell
Visual Effects Supervisor
'Doctor Who' Oxygen (2017)
Directed by: Charlie Palmer
Cinematography by: Mark Waters
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' The Pyramid at the End of the World (2017)
Directed by: Daniel Nettheim
Cinematography by: Ashley Rowe
Edited by: Xavier Russell
Visual Effects Supervisor
'Doctor Who' The Eaters of Light (2017)
Directed by: Charlie Palmer
Cinematography by: Mark Waters
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' Empress of Mars (2017)
Directed by: Wayne Yip
Cinematography by: Stuart Biddlecombe
Edited by: Edel McDonnell
Digital Compositor: Milk Visual Effects
'Sherlock' The Abominable Bride (2016)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Andrew McClelland
Visual Effects Supervisor
'Doctor Who' Into the Dalek (2014)
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' Robot of Sherwood (2014)
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' Listen (2014)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
Visual Effects Supervisor
'Doctor Who' Time Heist (2014)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
Visual Effects Supervisor
'Doctor Who' Kill the Moon (2014)
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
Visual Effects Supervisor
'Doctor Who' Mummy on the Orient Express (2014)
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
Visual Effects Supervisor
'Doctor Who' Flatline (2014)
Directed by: Douglas Mackinnon
Cinematography by: Nic Morris
Edited by: Philip Hookway
Visual Effects Supervisor
'Doctor Who' Dark Water (2014)
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' In the Forest of the Night (2014)
Directed by: Sheree Folkson
Cinematography by: Mark Garrett
Edited by: Lucien Clayton
Visual Effects Supervisor
'Doctor Who' Death in Heaven (2014)
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
Visual Effects Supervisor
'Doctor Who' The Caretaker (2014)
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
Visual Effects Supervisor: Milk Visual Effects
'Doctor Who' The Day of the Doctor (2013)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Liana Del Giudice
Visual Effects Supervisor
'Doctor Who' Asylum of the Daleks (2012)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Jamie Pearson
Digital Compositor: Milk Visual Effects - 1 Episode, 2016
Sherlock (2010)
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
2D Supervisor
'Doctor Who' The End of Time: Part Two (2010)
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Philip Kloss
Compositor
Skellig: The Owl Man (2009)
Directed by: Annabel Jankel
Cinematography by: Steve Lawes
Edited by: Peter Christelis
Cameras: ARRIFLEX D-21 Camera
2D Artist
'Doctor Who' The End of Time: Part One (2009)
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Philip Kloss
2D Artist
'Doctor Who' The Waters of Mars (2009)
Directed by: Graeme Harper
Cinematography by: Ernest Vincze
Edited by: William Oswald
2D Artist
'Doctor Who' Partners in Crime (2008)
Directed by: James Strong
Cinematography by: Ernest Vincze
Edited by: Mike Jones
2D Artist
'Doctor Who' The Fires of Pompeii (2008)
Directed by: Colin Teague
Cinematography by: Ernest Vincze
Edited by: Mike Hopkins
2D Artist
'Doctor Who' Planet of the Ood (2008)
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: William Oswald
2D Artist
'Doctor Who' The Poison Sky (2008)
Directed by: Douglas Mackinnon
Cinematography by: Rory Taylor
Edited by: Mike Hopkins
2D Artist
'Doctor Who' The Doctor's Daughter (2008)
Directed by: Alice Troughton
Cinematography by: Ernest Vincze
Edited by: Philip Kloss
2D Artist
'Doctor Who' The Unicorn and the Wasp (2008)
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: William Oswald
2D Artist
'Doctor Who' Turn Left (2008)
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: William Oswald
2D Artist
'Doctor Who' Forest of the Dead (2008)
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Crispin Green
2D Artist
'Doctor Who' Silence in the Library (2008)
Directed by: Euros Lyn
Cinematography by: Rory Taylor
Edited by: Crispin Green
Digital Compositor
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Visual Effects Supervisor
'Doctor Who' Time Crash (2007)
Directed by: Graeme Harper
Cinematography by: Rory Taylor
Edited by: Ceres Doyle
Compositor: The Mill
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Digital Compositor
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Digital Compositor
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Digital Compositor
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Digital Compositor: MPC
Man cheng jin dai huang jin jia (2006)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Visual Effects Supervisor / 2D Artist / 2D Supervisor / Visual Effects Supervisor: Milk Visual Effects - 34 Episodes, 2007-2017
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
Compositing Team: MPC
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Digital Compositor
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Compositor: Double Negative
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Compositor: Double Negative
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Compositor: Cinesite
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Digital Compositor
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Digital Compositor
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Compositor: MPC
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Lead Compositor: MPC
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Digital Compositor
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Preparation: Mill Film
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Compositor: MPC
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Digital Preparation: Mill Film
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
2D Artist
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
