Additional Re-recording Mixer / Mix Technician
Roma (2018)
Directed by: Alfonso Cuarón
Cinematography by: Alfonso Cuarón
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime 65 Lenses
Re-recording Mixer
Mary Queen of Scots (2018)
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Re-recording Mixer
The Strangers: Prey at Night (2018)
Directed by: Johannes Roberts
Cinematography by: Ryan Samul
Edited by: Martin Brinkler
Cameras: Red Epic Dragon Camera
Sound Mix Technician
Eddie the Eagle (2015)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Martin Walsh
Sound Mix Technician
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Mix Technician
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Re-recording Mixer
The Riot Club (2014)
Directed by: Lone Scherfig
Cinematography by: Sebastian Blenkov
Edited by: Jake Roberts
Re-recording Mixer
Belle (2013)
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Re-recording Mixer
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Assistant Re-recording Mixer
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
The Angels' Share (2012)
Directed by: Ken Loach
Cinematography by: Robbie Ryan
Edited by: Jonathan Morris
Assistant Sound Re-recording Mixer
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Re-recording Mixer
Hysteria (2011)
Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory
Assistant Re-recording Mixer
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Re-recording Mixer
Cemetery Junction (2010)
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Sound Mix Technician
The Invention of Lying (2009)
Cinematography by: Tim Suhrstedt
Edited by: Chris Gill
Sound Mix Technician
Agora (2009)
Directed by: Alejandro Amenábar
Cinematography by: Xavi Giménez
Edited by: Nacho Ruiz Capillas
Re-recording Mixer
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Mix Technician
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Assistant Sound Re-recording Mixer
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Mix Technician
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Sound Mix Technician
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Sound Mix Technician
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Re-recording Mixer
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Re-recording Mixer
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Re-recording Mixer
Tirante el Blanco (2006)
Directed by: Vicente Aranda
Cinematography by: José Luis Alcaine
Edited by: Teresa Font
Adr Assistant
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Re-recording Mixer
9th Company (2005)
Directed by: Fedor Bondarchuk
Cinematography by: Maksim Osadchiy-Korytkovskiy
Edited by: Igor Litoninskiy
Assistant Re-recording Mixer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Re-recording Mixer
Tickets (2005)
Sound Mix Technician
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Re-recording Mixer
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Foley Assistant
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Re-recording Mixer
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Sound Re-recordist
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Re-recording Mixer
The Calcium Kid (2004)
Directed by: Alex De Rakoff
Cinematography by: David M. Dunlap
Re-recording Mixer
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Re-recording Mixer
Tooth (2004)
Directed by: Edouard Nammour
Cinematography by: Clive Tickner
Edited by: Alan Strachan
Adr Assistant
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Sound Mix Technician
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Sound Technician
LD 50 Lethal Dose (2003)
Directed by: Simon De Selva
Cinematography by: Robin Vidgeon
Edited by: Kant Pan
Foley Assistant
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Re-recording Mixer
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Sound Technician
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Sound Technician
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Adr Assistant
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Sound Technician
Ali G Indahouse (2002)
Directed by: Mark Mylod
Cinematography by: Ashley Rowe
Edited by: Paul Knight
Sound Technician
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Adr Assistant
Serendipity (2001)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Sound Technician
Bridget Jones's Diary (2001)
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Assistant
Iris (2001)
Directed by: Richard Eyre
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Sound Technician
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Sound Technician
The Shaft (2001)
Directed by: Dick Maas
Cinematography by: Marc Felperlaan
Edited by: Bert Rijkelijkhuizen
Adr Assistant
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Sound Technician
A Shot at Glory (2000)
Directed by: Michael Corrente
Cinematography by: Alex Thomson
Edited by: David Ray
