Negative Cutter
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Negative Cutter
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Negative Manager
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Negative Cutter
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Negative Cutter
One Missed Call (2008)
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Negative Cutter
Tortured (2008)
Directed by: Nolan Lebovitz
Cinematography by: Steven Bernstein
Edited by: Robert K. Lambert
Negative Cutter
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Negative Cutter
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Negative Cutter
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Negative Cutter
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Negative Cutter
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Negative Cutter
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Negative Cutter
Four Brothers (2005)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Negative Cutter
Bad News Bears (2005)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Negative Cutter
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Negative Cutter
Mean Girls (2004)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Negative Cutter: Executive Cutting Service
Barely Legal (2003)
Directed by: David Mickey Evans
Cinematography by: John B. Aronson
Edited by: Harry Keramidas
Negative Cutter
School of Rock (2003)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Negative Cutter
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Negative Cutter
3000 Miles to Graceland (2001)
Directed by: Demian Lichtenstein
Cinematography by: David Franco
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Negative Cutter
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Negative Cutter
Angel Eyes (2001)
Directed by: Luis Mandoki
Cinematography by: Piotr Sobocinski
Edited by: Gerald B. Greenberg
Negative Cutter: Mary Nelson-Duerrstein & Associates
Jimmy Neutron: Boy Genius (2001)
Directed by: John A. Davis
Negative Cutter
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Negative Cutter
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Negative Cutter
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Negative Cutting
Hellraiser: Inferno (2000)
Directed by: Scott Derrickson
Cinematography by: Nathan Hope
Edited by: Kirk M. Morri
Negative Cutter: Executive Cutting
Twin Falls Idaho (1999)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Leo Trombetta
Negative Cutter
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Negative Conformer: Executive Cutting
American Dragons (1998)
Directed by: Ralph Hemecker
Cinematography by: Ernest Holzman
Edited by: Alan L. Shefland
Negative Cutter: Executive Cutting
Very Bad Things (1998)
Directed by: Peter Berg
Cinematography by: David Hennings
Edited by: Dan Lebental
Negative Cutter
Judas Kiss (1998)
Directed by: Sebastian Gutierrez
Cinematography by: James Chressanthis
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Negative Cutter
Ronin (1998)
Directed by: John Frankenheimer
Cinematography by: Robert Fraisse
Edited by: Antony Gibbs
Negative Conformist: Executive Cutting
Retroactive (1997)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Negative Cutter
First Time Felon (1997)
Directed by: Charles S. Dutton
Cinematography by: Jeffrey Jur
Edited by: Anthony Sherin
Negative Cutter
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Negative Cutter
Riders of the Purple Sage (1996)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: David Holden
Negative Cutter
Albino Alligator (1996)
Directed by: Kevin Spacey
Cinematography by: Mark Plummer
Edited by: Jay Cassidy
Negative Cutter
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Negative Cutter
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Post-production Coordinator
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Negative Cutter
That's Entertainment! III (1994)
Negative Cutter
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Negative Cutter
Men Don't Leave (1990)
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Negative Cutter
Hider in the House (1989)
Directed by: Matthew Patrick
Cinematography by: Jeffrey Jur
Edited by: Debra T. Smith
Negative Cutter
Feds (1988)
Directed by: Daniel Goldberg
Cinematography by: Tim Suhrstedt
Edited by: Donn Cambern
Negative Cutter
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Negative Cutter
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Negative Cutter
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Negative Cutter
Real Life (1979)
Directed by: Albert Brooks
Cinematography by: Eric Saarinen
Edited by: David Finfer
