Foley Mixer: Twickenham Studios, Foley Recordist: Twickenham Film Studios
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Foley Supervisor
Saltburn (2023)
Directed by: Emerald Fennell
Cinematography by: Linus Sandgren
Edited by: Victoria Boydell
Foley Mixer: Twickenham Film Studios
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Adr Mixer: Twickenham Studios
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Foley Mixer
Empire of Light (2022)
Movie
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA LF Camera
Foley Mixer
House of Gucci (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Foley Mixer
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Foley Mixer
The Last Duel (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Foley Mixer
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Foley Mixer
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Foley Mixer
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Adr Mixer
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Crowd Mixer
In Fabric (2018)
Directed by: Peter Strickland
Cinematography by: Ari Wegner
Edited by: Mátyás Fekete
Cameras: ARRI ALEXA Mini Camera
Foley Mixer
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Foley Mixer
Goodbye Christopher Robin (2017)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Victoria Boydell
Foley Mixer
The Hitman's Bodyguard (2017)
Directed by: Patrick Hughes
Cinematography by: Jules O'Loughlin
Edited by: Jake Roberts
Foley Mixer
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Foley Recordist
All the Money in the World (2017)
Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Foley Mixer
Florence Foster Jenkins (2016)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA XT Camera
Foley Mixer
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Foley Mixer
American Honey (2016)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Foley Mixer
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Foley Mixer
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Foley Mixer
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Adr Mixer
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Foley Mixer
The Salvation (2014)
Directed by: Kristian Levring
Cinematography by: Jens Schlosser
Edited by: Pernille Bech Christensen
Cameras: ARRI ALEXA Plus Camera
Foley Mixer
Theeb (2014)
Directed by: Naji Abu Nowar
Cinematography by: Wolfgang Thaler
Edited by: Rupert Lloyd
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Adr Mixer
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Foley Mixer
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Foley Mixer
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Foley Recordist
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Foley Mixer
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Foley Recordist
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Foley Recordist
Comes a Bright Day (2012)
Directed by: Simon Aboud
Cinematography by: John Lynch
Edited by: Gavin Buckley
Cameras: ARRI ALEXA Camera
Foley Recordist
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Foley Recordist
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Foley Mixer
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Foley Recordist
Johnny English Reborn (2011)
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Foley Recordist
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Foley Recordist
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Foley Mixer / Re-recording Mixer
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Foley Recordist
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Foley Recordist / Re-recording Mixer
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Re-recording Mixer
Princess Kaiulani (2009)
Directed by: Marc Forby
Cinematography by: Gabriel Beristain
Edited by: Beverley Mills
Foley Recordist
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Additional Foley Editor , Foley Recordist
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Foley Recordist
Fantastic Mr. Fox (2009)
Directed by: Wes Anderson
Cinematography by: Tristan Oliver
Cameras: Nikon D3 Camera
Lenses: Cooke Varotal Lenses
Foley Recordist
From Time to Time (2009)
Directed by: Julian Fellowes
Cinematography by: Alan Almond
Edited by: John Wilson
Foley Recordist
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Foley Recordist / Re-recording Mixer
An Education (2009)
Directed by: Lone Scherfig
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: ARRIFLEX 235 Camera
Lenses: Cooke Speed Panchro Lenses
Foley Recordist
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Additional Foley Recordist
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Penelope (2006)
Directed by: Mark Palansky
Cinematography by: Michel Amathieu
Edited by: Jon Gregory
