Camera Supporter - 3 Episodes, 2023
Lawmen: Bass Reeves (2023)
Camera Supporter
'1923' The War Has Come Home (2023)
Directed by: Ben Richardson
Edited by: Chad Galster
Camera Supporter
'1923' Ghost of Zebrina (2023)
Directed by: Guy Ferland
Cinematography by: Robert McLachlan
Edited by: Christopher Gay
Camera Supporter
'1923' One Ocean Closer to Destiny (2023)
Directed by: Guy Ferland
Cinematography by: Robert McLachlan
Camera Supporter
'1923' The Rule of Five Hundred (2023)
Directed by: Ben Richardson
Edited by: Christopher Gay
Camera Supporter
Lessons in Chemistry (2023)
TV Mini Series
Edited by: Matthew Barbato, Geraud Brisson, Laura Zempel, Jack Cunningham, Daniel Martens, Lilly Wild
Cameras: ARRI ALEXA Mini LF Camera
Camera Supporter
The Killer (2023)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Editing System: Adobe Premiere Editing System
Camera Supporter
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Camera Supporter
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Camera Supporter
'Barry' forgiving jeff (2022)
Directed by: Bill Hader
Cinematography by: Carl Herse
Edited by: Franky Guttman
Camera Supporter
'Westworld' The Auguries (2022)
Directed by: Richard J. Lewis
Cinematography by: John Conroy
Camera Supporter
'Westworld' Well Enough Alone (2022)
Directed by: Craig William Macneill
Cinematography by: Peter Flinckenberg
Edited by: Anna Hauger
Camera Supporter
'Westworld' Années Folles (2022)
Directed by: Hanelle M. Culpepper
Cinematography by: John Conroy
Edited by: Amelia Allwarden
Camera Supporter
'Westworld' Generation Loss (2022)
Directed by: Paul Cameron
Cinematography by: Peter Flinckenberg
Camera Supporter
'Westworld' Zhuangzi (2022)
Directed by: Craig William Macneill
Cinematography by: John Conroy
Camera Supporter
'Westworld' Fidelity (2022)
Directed by: Andrew Seklir
Cinematography by: Peter Flinckenberg
Edited by: Amelia Allwarden
Camera Supporter
'Westworld' Metanoia (2022)
Directed by: Meera Menon
Cinematography by: John Conroy
Edited by: Sarah C. Reeves
Camera Supporter
'Westworld' Que Será, Será (2022)
Directed by: Richard J. Lewis
Cinematography by: Peter Flinckenberg
Camera Supporter - 6 Episodes, 2023
1923 (2022)
Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Camera Supporter
'Them' Day 3 (2021)
Directed by: Nelson Cragg
Cinematography by: Xavier Grobet
Edited by: David Kashevaroff
Camera Supporter
'Them' Covenant I. (2021)
Directed by: Janicza Bravo
Cinematography by: Checco Varese
Edited by: David Kashevaroff
Camera Supporter
'Them' Day 7: Morning (2021)
Directed by: Craig William Macneill
Cinematography by: Xavier Grobet
Edited by: Kevin D. Ross
Camera Supporter
'Them' Covenant II. (2021)
Directed by: Craig William Macneill
Cinematography by: Checco Varese
Edited by: David Kashevaroff
Camera Supporter - 10 Episodes, 2021-2022
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Camera Supporter
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Camera Supporter
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Camera Supporter
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Camera Supporter
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Camera Supporter
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Camera Supporter
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Camera Supporter
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Camera Supporter
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Camera Supporter
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Camera Supporter
Rattlesnake (2019)
Directed by: Zak Hilditch
Edited by: Merlin Eden
Cameras: Sony CineAlta VENICE Camera
Camera Supporter - 10 Episodes, 2019
High School Musical: The Musical - The Series (2019)
Directed by: Kabir Akhtar
Cameras: ARRI ALEXA Mini Camera
Camera Supporter
'Andi Mack' We Were Here (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' A Moving Day (2019)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Unloading Zone (2019)
Directed by: Brent Geisler
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' One Girl's Trash (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Hammer Time (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Mount Rushmore or Less (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' The Ex Factor (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' The Quacks (2019)
Directed by: Aprill Winney
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' One In a Minyan (2019)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Secret Society (2019)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' I Got Your Number (2019)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'High School Musical: The Musical - The Series' Episode #1.1 (2019)
Cinematography by: Larry Reibman
Edited by: Tod Modisett
Camera Supporter
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Camera Supporter
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Camera Supporter: Vfx Unit
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Camera Supporter
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Camera Supporter
'Andi Mack' The New Girls (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Cookie Monster (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' That Syncing Feeling (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Hole In The Wall (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' It's A Dilemna (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Howling At The Moon Festival (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' The Boys Are Back (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' The Cake That Takes the Cake (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Bought, Lost or Stolen (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' We're on Cloud Ten (2018)
Directed by: David Kendall
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Keep a Lid on It (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' For the Last Time (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Buffy in a Bottle (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Andi's Choice (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Truth or Truth (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' A Walker to Remember (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Crime Scene: Andi Shack! (2018)
Directed by: Charles Minsky
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Perfect Day 2.0 (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Better to Have Wuvved and Wost (2018)
Directed by: Kenny Ortega
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Cyrus' Bash-Mitzvah! (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Camera Supporter
'Andi Mack' Miniature Gulf (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' We Were Never (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' A Good Hair Day (2018)
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' You're The One That I Want (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' There's a Mack in the Shack (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Head Over Heels (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Camera Supporter
'Westworld' Reunion (2018)
Directed by: Vincenzo Natali
Cinematography by: John Grillo
Edited by: David Eisenberg
Camera Supporter
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Camera Supporter
'Westworld' The Riddle of the Sphinx (2018)
Directed by: Lisa Joy
Cinematography by: John Grillo
Edited by: Andrew Seklir
Camera Supporter
'Westworld' Akane no Mai (2018)
Directed by: Craig Zobel
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Camera Supporter
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Camera Supporter
'Westworld' Les Écorchés (2018)
Directed by: Nicole Kassell
Cinematography by: M. David Mullen
Edited by: Anna Hauger
Camera Supporter
'Westworld' Kiksuya (2018)
Directed by: Uta Briesewitz
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Camera Supporter
'Westworld' Vanishing Point (2018)
Directed by: Stephen Williams
Cinematography by: Darran Tiernan
Edited by: Ron Rosen
Camera Supporter
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Camera Supporter
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Camera Supporter
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Camera Supporter - 57 Episodes, 2017-2019
Andi Mack (2017)
Directed by: Paul Hoen, Joe Menendez, Michelle Manning, Eyal Gordin, Adam Weissman, Michael Grossman, Jerry O'Connell, Vanessa Parise, David Warren, David Kendall, Charles Minsky, Kenny Ortega, Brent Geisler, Leslie Kolins Small, Aprill Winney
Cinematography by: Matthew Williams
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Camera Supporter
'Andi Mack' I Wanna Hold Your Wristband (2017)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' The Snorpion (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Mama (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Chinese New Year (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Friends Like These (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Hey, Who Wants Pizza? (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Best Surprise Ever (2017)
Directed by: Vanessa Parise
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Home Away from Home (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Were We Ever? (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' She's Turning Into You (2017)
Directed by: Michael Grossman
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Terms of Embarrassment (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Dad Influence (2017)
Directed by: Jerry O'Connell
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' She Said, She Said (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' It's Not About You (2017)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
'Andi Mack' Dancing in the Dark (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Outside the Box (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Camera Supporter
'Andi Mack' Shhh! (2017)
Directed by: David Warren
Cinematography by: Matthew Williams
Edited by: Jane Choi
Camera Supporter
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Floor Electrician: Additional Photography
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Camera Supporter
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Camera Supporter
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Camera Supporter
'Silicon Valley' Founder Friendly (2016)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Two in the Box (2016)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' Meinertzhagen's Haversack (2016)
Directed by: Charlie McDowell
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Maleant Data Systems Solutions (2016)
Directed by: Charlie McDowell
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' The Empty Chair (2016)
Directed by: Eric Appel
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Bachmanity Insanity (2016)
Directed by: Eric Appel
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' To Build a Better Beta (2016)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Bachman's Earnings Over-Ride (2016)
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' Daily Active Users (2016)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' The Uptick (2016)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter - 18 Episodes, 2018-2020, Camera Supporter - 26 Episodes, 2018-2022
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Camera Supporter
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Camera Supporter
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Camera Supporter
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera Supporter
Steve Jobs (2015)
Directed by: Danny Boyle
Cinematography by: Alwin H. Küchler
Edited by: Elliot Graham
Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Camera Supporter
Magic Mike XXL (2015)
Directed by: Gregory Jacobs
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Dragon Camera
Camera Supporter
'Silicon Valley' Sand Hill Shuffle (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Runaway Devaluation (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' Bad Money (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' The Lady (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' Server Space (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Homicide (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' Adult Content (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' White Hat/Black Hat (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
'Silicon Valley' Binding Arbitration (2015)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Camera Supporter
'Silicon Valley' Two Days of the Condor (2015)
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Camera Supporter
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Camera Supporter - 20 Episodes, 2015-2016
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Camera Supporter
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
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Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
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Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
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Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
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Directed by: Paul Johansson
Cinematography by: Ross Berryman
Cameras: Red One MX Camera
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Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
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Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
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Directed by: Craig Brewer
Cinematography by: Amy Vincent
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Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
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Directed by: David Vassar
Cinematography by: Christopher Tufty
Edited by: Christian White
Cameras: Red One MX Camera
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Directed by: Stephen Surjik
Cinematography by: Bart Tau
Edited by: Zack Arnold
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Directed by: Matt Nix
Cinematography by: Bart Tau
Edited by: Steven Lang
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Directed by: Michael Smith
Edited by: Casey Brown
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Directed by: Tawnia McKiernan
Cinematography by: Bart Tau
Edited by: Zack Arnold
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Directed by: Jeremiah S. Chechik
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Edited by: Steven Lang
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Directed by: Stephen Surjik
Cinematography by: Dennis Hall
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Cinematography by: Bart Tau
Edited by: Casey Brown
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Directed by: Jonathan Frakes
Cinematography by: Dennis Hall
Edited by: Steven Lang
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Directed by: Marc Roskin
Cinematography by: Dennis Hall
Edited by: Zack Arnold
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Directed by: Jeremiah S. Chechik
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Edited by: Casey Brown
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Cinematography by: Dennis Hall
Edited by: Steven Lang
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Directed by: Colin Bucksey
Cinematography by: Dennis Hall
Edited by: Casey Brown
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Directed by: Stephen Surjik
Cinematography by: Dennis Hall
Edited by: Zack Arnold
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Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
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Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
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The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Camera Supporter - 13 Episodes, 2011
Burn Notice (2007)
Directed by: Stephen Surjik, Jeremiah S. Chechik, Dennie Gordon, John T. Kretchmer, Tim Matheson, Matt Nix, Scott Peters, Jonathan Frakes, Marc Roskin, Craig Siebels, Renny Harlin, Colin Bucksey, Paul Holahan, Jeffrey Donovan, Kevin Bray, Nick Gomez, Rod Hardy, Jeff Freilich, Ernest R. Dickerson, Michael Smith, Terry Miller, Tawnia McKiernan, Alfredo Barrios Jr., Jace Alexander, Sanford Bookstaver, Ken Girotti, Paul Shapiro, David Solomon, Bronwen Hughes, Félix Enríquez Alcalá, Bryan Spicer, Dirk Craft, Jeffrey G. Hunt, Peter Markle, Michael Zinberg, Henry Bronchtein, Ron Underwood, Bill Eagles, Larry Teng
Edited by: Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever
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'High School Musical: The Musical - The Series' Episode #1.10 (0)
Directed by: Kabir Akhtar
Cinematography by: Matthew Williams
Edited by: Melissa Gearhart
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Directed by: Kabir Akhtar
Cinematography by: Matthew Williams
Edited by: Tod Modisett
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'High School Musical: The Musical - The Series' Episode #1.3 (0)
Cinematography by: Matthew Williams
Edited by: Tod Modisett
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'High School Musical: The Musical - The Series' Episode #1.4 (0)
Cinematography by: Matthew Williams
Edited by: Melissa Gearhart
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Cinematography by: Matthew Williams
Edited by: Tod Modisett
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Cinematography by: Matthew Williams
Edited by: Melissa Gearhart
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Cinematography by: Matthew Williams
Edited by: Tod Modisett
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'High School Musical: The Musical - The Series' Episode #1.8 (0)
Cinematography by: Matthew Williams
Edited by: Melissa Gearhart
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'High School Musical: The Musical - The Series' Episode #1.2 (0)
Cinematography by: Matthew Williams
Edited by: Melissa Gearhart
