Jon Jashni

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Straight Outta Compton | ShotOnWhat?

Executive Producer

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Crimson Peak | ShotOnWhat?

Producer

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Dracula Untold | ShotOnWhat?

Executive Producer

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Unbroken | ShotOnWhat?

Executive Producer

Unbroken (2014)

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Godzilla | ShotOnWhat?

Producer

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Seventh Son | ShotOnWhat?

Executive Producer

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

300: Rise of an Empire | ShotOnWhat?

Executive Producer

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Pacific Rim | ShotOnWhat?

Producer

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

42 | ShotOnWhat?

Executive Producer

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jack the Giant Slayer | ShotOnWhat?

Executive Producer

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wrath of the Titans | ShotOnWhat?

Executive Producer

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Sucker Punch | ShotOnWhat?

Executive Producer

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Clash of the Titans | ShotOnWhat?

Executive Producer

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Town | ShotOnWhat?

Executive Producer

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Jonah Hex | ShotOnWhat?

Executive Producer

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ninja Assassin | ShotOnWhat?

Executive Producer

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

The Hangover | ShotOnWhat?

Executive Producer

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Observe and Report | ShotOnWhat?

Executive Producer

Observe and Report (2009)

Directed by: Jody Hill

Cinematography by: Tim Orr

Edited by: Zene Baker

Where the Wild Things Are | ShotOnWhat?

Executive Producer

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Trick 'r Treat | ShotOnWhat?

Executive Producer

Trick 'r Treat (2007)

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

Poseidon | ShotOnWhat?

Executive Producer

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dreamer: Inspired by a True Story | ShotOnWhat?

Executive Producer

Dreamer: Inspired by a True Story (2005)

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Walking Tall | ShotOnWhat?

Production Executive

Walking Tall (2004)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: George Bowers, Robert Ivison

Sweet Home Alabama | ShotOnWhat?

Executive Producer

Sweet Home Alabama (2002)

Directed by: Andy Tennant

Cinematography by: Andrew Dunn

Edited by: Troy Takaki, Tracey Wadmore-Smith

Anna and the King | ShotOnWhat?

Co-producer

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

The Hurricane | ShotOnWhat?

Co-producer

The Hurricane (1999)

Directed by: Norman Jewison

Cinematography by: Roger Deakins

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Fools Rush In | ShotOnWhat?

Production Executive

Fools Rush In (1997)

Directed by: Andy Tennant

Cinematography by: Robbie Greenberg

Edited by: Roger Bondelli

Groundhog Day | ShotOnWhat?

Production Executive

Groundhog Day (1993)

Directed by: Harold Ramis

Cinematography by: John Bailey

Edited by: Pembroke J. Herring

Dracula | ShotOnWhat?

Production Executive

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Air America | ShotOnWhat?

Associate Producer

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

Get Smart, Again! | ShotOnWhat?

Associate Producer

Get Smart, Again! (1989)

Television Movie

Directed by: Gary Nelson

Cinematography by: Gayne Rescher

Edited by: Donald R. Rode

Fast Forward | ShotOnWhat?

Wardrobe: Men

Fast Forward (1985)

Directed by: Sidney Poitier

Cinematography by: Matthew F. Leonetti

Edited by: David E. Blewitt, Harry Keller, Art Seid

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