Ben Harrison

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The Zone of Interest | ShotOnWhat?

Production Support: One Of Us

The Zone of Interest (2023)

Directed by: Jonathan Glazer

Cinematography by: Lukasz Zal

Edited by: Paul Watts

Cameras: Sony CineAlta VENICE Camera

Lenses: Leitz M 0.8 Series Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Head Of Resources: One Of Us

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Cats | ShotOnWhat?

Visual Effects Producer: Mill Film

Cats (2019)

Directed by: Tom Hooper

Cinematography by: Christopher Ross

Edited by: Melanie Oliver

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Vfx Production Manager

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Vfx Production Manager

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Passengers | ShotOnWhat?

Vfx Production Manager

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

Suicide Squad | ShotOnWhat?

Vfx Production Manager

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Legend of Tarzan | ShotOnWhat?

Vfx Production Manager

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

The Jungle Book | ShotOnWhat?

Vfx Production Manager

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Vfx Production Manager

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Terminator Genisys | ShotOnWhat?

Visual Effects Coordinator

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Martian | ShotOnWhat?

Vfx Production Manager

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Pan | ShotOnWhat?

Visual Effects Coordinator

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Exodus: Gods and Kings | ShotOnWhat?

Visual Effects Coordinator

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

American Sniper | ShotOnWhat?

Visual Effects Coordinator

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Assistant Production Manager: Stereo Conversion

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Seventh Son | ShotOnWhat?

Assistant Production Manager: Stereo Conversion

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Edge of Tomorrow | ShotOnWhat?

Assistant Production Manager: Stereo Conversion

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Maleficent | ShotOnWhat?

Assistant Production Manager: Stereo Conversion

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

The Amazing Spider-Man 2 | ShotOnWhat?

Assistant Production Manager: Stereo Conversion

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

World War Z | ShotOnWhat?

Stereoscopic Conversion Producer: Prime Focus World

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Gravity | ShotOnWhat?

Stereo Manager: Prime Focus Film

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Frankenweenie | ShotOnWhat?

Stereo Production: Prime Focus World

Frankenweenie (2012)

Directed by: Tim Burton

Cinematography by: Peter Sorg

Edited by: Chris Lebenzon, Mark Solomon

Cameras: Canon EOS-5D Mark II Camera

Editing System: Avid Editing System

Wrath of the Titans | ShotOnWhat?

Stereoscopic Vfx Coordinator

Wrath of the Titans (2012)

Directed by: Jonathan Liebesman

Cinematography by: Ben Davis

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Dredd | ShotOnWhat?

Stereoscopic Vfx Coordinator

Dredd (2012)

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Stereoscopic Vfx Coordinator

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Immortals | ShotOnWhat?

Stereoscopic Coordinator

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Stereoscopic Coordinator

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

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