Dailies Operations: Picture Shop On Location Services
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Dailies Operations: Technicolor
Greenland (2020)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Gabriel Fleming
Cameras: ARRI ALEXA Mini Camera
Dailies Operations: Technicolor
Bad Times at the El Royale (2018)
Directed by: Drew Goddard
Cinematography by: Seamus McGarvey
Edited by: Lisa Lassek
Dailies Operations: Technicolor
'This Is Us' Clooney (2018)
Directed by: Zetna Fuentes
Cinematography by: Yasu Tanida
Dailies Operations: Technicolor
'This Is Us' That'll Be the Day (2018)
Directed by: Uta Briesewitz
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Dailies Operations: Technicolor
'This Is Us' Super Bowl Sunday (2018)
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' The Car (2018)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Dailies Operations: Technicolor
'This Is Us' Vegas, Baby (2018)
Directed by: Joanna Kerns
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' This Big, Amazing, Beautiful Life (2018)
Directed by: Rebecca Asher
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Dailies Operations: Technicolor
'This Is Us' The Wedding (2018)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations
The Other Side of the Wind (2018)
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Dailies Operations: Technicolor
'Stranger Things' Chapter Two: Trick or Treat, Freak (2017)
Cinematography by: Tim Ives
Edited by: Nat Fuller
Dailies Operations: Technicolor
'This Is Us' I Call Marriage (2017)
Directed by: George Tillman Jr.
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'Stranger Things' Chapter One: MADMAX (2017)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Dailies Operations: Technicolor
'Stranger Things' Chapter Three: The Pollywog (2017)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Dailies Operations: Technicolor
'Stranger Things' Chapter Four: Will the Wise (2017)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Nat Fuller
Dailies Operations: Technicolor
'Stranger Things' Chapter Five: Dig Dug (2017)
Directed by: Andrew Stanton
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Dailies Operations: Technicolor
'Stranger Things' Chapter Six: The Spy (2017)
Directed by: Andrew Stanton
Cinematography by: Tim Ives
Edited by: Nat Fuller
Dailies Operations: Technicolor
'Stranger Things' Chapter Seven: The Lost Sister (2017)
Directed by: Rebecca Thomas
Cinematography by: David Franco
Edited by: Katheryn Naranjo
Dailies Operations: Technicolor
'Stranger Things' Chapter Eight: The Mind Flayer (2017)
Cinematography by: Tim Ives
Edited by: Nat Fuller
Dailies Operations: Technicolor
'Stranger Things' Chapter Nine: The Gate (2017)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Dailies Operations: Technicolor
'This Is Us' Brothers (2017)
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Dailies Operations: Technicolor
'This Is Us' Still There (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' Déjà Vu (2017)
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' A Manny-Splendored Thing (2017)
Directed by: John Fortenberry
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Dailies Operations: Technicolor
'This Is Us' A Father's Advice (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' Moonshadow (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' What Now? (2017)
Directed by: Wendey Stanzler
Cinematography by: Yasu Tanida
Edited by: Brandi Bradburn
Dailies Operations: Technicolor
'This Is Us' Memphis (2017)
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' Jack Pearson's Son (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' The Right Thing to Do (2017)
Directed by: Timothy Busfield
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' The Big Day (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' Three Sentences (2017)
Directed by: Chris Koch
Cinematography by: Yasu Tanida
Edited by: Brandi Bradburn
Post-production: Dailies Operations-Technicolor
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Dailies Operations: Technicolor
'This Is Us' Number Two (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Dailies Operations: Technicolor
'This Is Us' The 20's (2017)
Directed by: Regina King
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' Number One (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Howard Leder
Dailies Operations: Technicolor
'This Is Us' The Most Disappointed Man (2017)
Directed by: Chris Koch
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' Number Three (2017)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Post-production: Dailies Operations-Technicolor
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Dailies Operations: Technicolor
'This Is Us' The Trip (2016)
Directed by: Uta Briesewitz
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' Pilgrim Rick (2016)
Directed by: Sarah Pia Anderson
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor
'This Is Us' Career Days (2016)
Directed by: Craig Zisk
Cinematography by: Yasu Tanida
Edited by: Julia Grove
Dailies Operations: Technicolor
'This Is Us' The Pool (2016)
Cinematography by: Yasu Tanida
Edited by: Brandi Bradburn
Dailies Operations: Technicolor
'This Is Us' The Big Three (2016)
Directed by: Ken Olin
Cinematography by: Yasu Tanida
Edited by: Bjørn T. Myrholt
Dailies Operations: Technicolor - 31 Episodes, 2016-2018
This Is Us (2016)
Directed by: Ken Olin, Glenn Ficarra, John Requa, Chris Koch, George Tillman Jr., Uta Briesewitz, John Fortenberry, Rebecca Asher, Kevin Hooks, Sarah Pia Anderson, Silas Howard, Helen Hunt, Craig Zisk, Timothy Busfield, Regina King, Wendey Stanzler, Zetna Fuentes, Catherine Hardwicke, Joanna Kerns, Sarah Boyd, Roxann Dawson, Anne Fletcher
Dailies Operations: Technicolor
'This Is Us' Last Christmas (2016)
Directed by: Helen Hunt
Cinematography by: Yasu Tanida
Edited by: Brandi Bradburn
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Post-production: Dailies Operations-Technicolor
The Accountant (2016)
Directed by: Gavin O'Connor
Cinematography by: Seamus McGarvey
Edited by: Richard Pearson
Post Production: Dailies Operations-Technicolor
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Post-production: Dailies Operations-Technicolor
The Nice Guys (2016)
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Dailies Operations: Technicolor / Post-production: Dailies Operations, Technicolor - 17 Episodes, 2016-2017, Dailies Operations: Technicolor / Post-production: Dailies Operations-Technicolor - 17 Episodes, 2016-2017
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Four: The Body (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Dean Zimmerman
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Five: The Flea and the Acrobat (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Post-production: Dailies Operations-Technicolor
'Stranger Things' Chapter Seven: The Bathtub (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Post-production: Dailies Operations-Technicolor
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Post-production: Dailies Operations-Technicolor
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Post-production: Dailies Operations-Technicolor
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Post-production: Dailies Operations-Technicolor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Post-production: Dailies Operations-Technicolor
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Minimum Viable Product (2014)
Directed by: Mike Judge
Cinematography by: Jim Denault
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Proof of Concept (2014)
Directed by: Mike Judge
Cinematography by: Jim Denault
Edited by: Tim Roche
Post-production: Dailies Operations, Technicolor
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Post-production: Dailies Operations-Technicolor
The Hunger Games: Mockingjay - Part 1 (2014)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Dailies Operations: Technicolor
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Post-production: Dailies Operations-Technicolor
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Post-production: Dailies Operations-Technicolor
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Post-production: Dailies Operations-Technicolor
Get on Up (2014)
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Post-production: Dailies Operations-Tchnicolor
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Post-production: Dailies Operations-Technicolor
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Post-production: Dailies Operations-Technicolor - 8 Episodes, 2014
Silicon Valley (2014)
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Post-production: Dailies Operations-Technicolor
'Silicon Valley' The Cap Table (2014)
Directed by: Mike Judge
Cinematography by: Jim Denault
Edited by: Brian Merken
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Articles of Incorporation (2014)
Directed by: Tricia Brock
Cinematography by: Jim Denault
Edited by: Tim Roche
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Fiduciary Duties (2014)
Directed by: Maggie Carey
Cinematography by: Jim Denault
Edited by: Brian Merken
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Signaling Risk (2014)
Directed by: Alec Berg
Cinematography by: Jim Denault
Edited by: Tim Roche
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Third Party Insourcing (2014)
Directed by: Alec Berg
Cinematography by: Jim Denault
Post-production: Dailies Operations-Technicolor
'Silicon Valley' Optimal Tip-To-Tip Efficiency (2014)
Directed by: Mike Judge
Cinematography by: Jim Denault
Post Production: Dailies Operations-Technicolor
Nebraska (2013)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Post Production: Dailies Operations-Technicolor
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Post Production: Dailies Operations-Technicolor
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Dailies Operations: Technicolor
Safe Haven (2013)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Studio Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Near-set Dailies Operations: Technicolor
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Post Production: Dailies Operations-Technicolor
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Post-production: Dailies Operations-Technicolor
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Dailies Operations: Technicolor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Post-production Coordinator
Columbus Day (2008)
Directed by: Charles Burmeister
Cinematography by: Julio Macat
Edited by: Jake Pushinsky
Post-production Supervisor: Encore
'Millennium' The Pilot (1996)
Directed by: David Nutter
Cinematography by: Peter Wunstorf
Edited by: Stephen Mark
Post-production Supervisor: Encore - 1 Episode, 1996
Millennium (1996)
Directed by: Thomas J. Wright, Paul Shapiro, Winrich Kolbe, David Nutter, Ralph Hemecker, Dwight H. Little, Allen Coulter, Jim Charleston, Peter Markle, Darin Morgan, Rod Pridy, Kenneth Fink, Randy Zisk, Cliff Bole, Rodman Flender, Perry Lang, Michael Pattinson, Michael W. Watkins, John Peter Kousakis, Daniel Sackheim, Arthur W. Forney
