Lewis Hume

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Pokémon Detective Pikachu | ShotOnWhat?

First Assistant Camera: "a" Camera, Main Unit

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Mary Queen of Scots | ShotOnWhat?

First Assistant Camera: "b" Camera

Mary Queen of Scots (2018)

Directed by: Josie Rourke

Cinematography by: John Mathieson

Edited by: Chris Dickens

Cameras: Panavision Millennium DXL Camera, Red Epic Helium Camera

Knights of the Roundtable: King Arthur | ShotOnWhat?

First Assistant Camera: "b" Camera, Main Unit

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Doctor Strange | ShotOnWhat?

First Assistant Camera: "c" Camera, Main Unit

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

First Assistant Camera: "b" Camera, Main Unit

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Avengers: Age of Ultron | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

First Assistant Camera: Second Unit

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Dracula Untold | ShotOnWhat?

First Assistant Camera: "a" Camera: Additional Photography

Dracula Untold (2014)

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A Long Way Down | ShotOnWhat?

First Assistant Camera: "b" Camera

A Long Way Down (2014)

Directed by: Pascal Chaumeil

Cinematography by: Ben Davis

Edited by: Chris Gill, Barney Pilling

Cameras: ARRI ALEXA Camera

Guardians of the Galaxy | ShotOnWhat?

First Assistant Camera: "c" Camera, Main Unit

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

A Good Day to Die Hard | ShotOnWhat?

Second Assistant Camera: "a" Camera, Main Unit

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

47 Ronin | ShotOnWhat?

Second Assistant Camera: "a" Camera

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Great Expectations | ShotOnWhat?

First Assistant Camera: "b" Camera

Great Expectations (2012)

Directed by: Mike Newell

Cinematography by: John Mathieson

Edited by: Tariq Anwar

Jane Eyre | ShotOnWhat?

Second Assistant Camera: "a" Camera

Jane Eyre (2011)

Directed by: Cary Joji Fukunaga

Cinematography by: Adriano Goldman

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Best Exotic Marigold Hotel | ShotOnWhat?

Second Assistant Camera: "a" Camera, London

The Best Exotic Marigold Hotel (2011)

Directed by: John Madden

Cinematography by: Ben Davis

Edited by: Chris Gill

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Captain America: The First Avenger | ShotOnWhat?

Second Assistant Camera: "a" Camera, Main Unit

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Wolfman | ShotOnWhat?

Second Assistant Camera: "a" Camera

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Robin Hood | ShotOnWhat?

Second Assistant Camera "a" Camera: Main Unit

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Burke and Hare | ShotOnWhat?

Second Assistant Camera: "a" Camera

Burke and Hare (2010)

Directed by: John Landis

Cinematography by: John Mathieson

Edited by: Mark Everson

Brighton Rock | ShotOnWhat?

Second Assistant Camera: "a" Camera

Brighton Rock (2010)

Directed by: Rowan Joffe

Cinematography by: John Mathieson

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

Sherlock Holmes | ShotOnWhat?

Second Assistant Camera: "a" Camera, Main Unit

Sherlock Holmes (2009)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera

Lenses: Panavision Primo Classic Spherical Lenses

Traitor | ShotOnWhat?

Second Assistant Camera: London

Traitor (2008)

Directed by: Jeffrey Nachmanoff

Cinematography by: James M. Muro

Edited by: Billy Fox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Final Cut Pro Editing System

Inkheart | ShotOnWhat?

Second Assistant Camera: "a" Camera, Main Unit

Inkheart (2008)

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Franklyn | ShotOnWhat?

Second Assistant Camera: "a" Camera

Franklyn (2008)

Directed by: Gerald McMorrow

Cinematography by: Ben Davis

Edited by: Peter Christelis

Virgin Territory | ShotOnWhat?

Second Assistant Camera

Virgin Territory (2007)

Directed by: David Leland

Cinematography by: Ben Davis

Edited by: Jim Clark

Stardust | ShotOnWhat?

Second Assistant Camera: "a" Camera, Main Unit

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

The Da Vinci Code | ShotOnWhat?

Second Assistant Camera: "b" Camera

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Harry Potter and the Goblet of Fire | ShotOnWhat?

Second Assistant Camera

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Kingdom of Heaven | ShotOnWhat?

Camera Loader

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

The Phantom of the Opera | ShotOnWhat?

Camera Loader

The Phantom of the Opera (2004)

Directed by: Joel Schumacher

Cinematography by: John Mathieson

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Troy | ShotOnWhat?

Second Assistant Camera: "c" Camera

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

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