Camera Operator: Aerial Unit
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
C Camera Operator: Los Angeles Second Unit
F9 (2021)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Lenses: Tokina Vista Cinema Prime Lenses
"b" Camera Operator: Splinter Unit Dp, B Camera Operator: Splinter Unit Dp
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
B Camera Operator/splinter Unit Dp
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Second Unit "a" Camera Operator
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
B Camera Operator / Splinter Unit Dp
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Camera Operator: "c" Camera / Director Of Photography: Splinter Unit
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Camera Operator: "b" Camera
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Camera Operator: "b" Camera, Second Unit/additional Photography
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
C Camera Operator
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Additional Camera Operator: Second Unit
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Camera Operator: "b" Camera, Second Unit
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Camera Operator: "c" Camera, Second Unit, Manila
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Camera Operator: "b" Camera, Second Unit
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
B Camera Operator: Additional Photography - Re-shoots
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Camera Operator: "b" Camera
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
B Cam Operator: Second Unit
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
B Cam Operator: Second Unit
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
B Cam Operator: Second Unit
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
B Cam Operator: Second Unit
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Camera Operator: "b" Camera, Second Unit
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Camera Operator: Second Unit
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Additional Camera Operator: Second Unit
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Camera Operator
'The Office' Initiation (2006)
Directed by: Randall Einhorn
Cinematography by: Matt Sohn
Edited by: David Rogers
Additional Camera Operator
'The Office' Take Your Daughter to Work Day (2006)
Directed by: Victor Nelli Jr.
Cinematography by: Randall Einhorn
Edited by: David Rogers
Additional Camera Operator / Camera Operator - 1 Episode, 2006, Additional Camera Operator / Camera Operator - 2 Episodes, 2006
The Office (2005)
Directed by: Paul Feig, Randall Einhorn, Ken Kwapis, Greg Daniels, Jeffrey Blitz, Ken Whittingham, David Rogers, Charles McDougall, Matt Sohn, Paul Lieberstein, B.J. Novak, Tucker Gates, Harold Ramis, Brent Forrester, Jennifer Celotta, Steve Carell, John Krasinski, Rainn Wilson, Troy Miller, Bryan Gordon, Dennie Gordon, Victor Nelli Jr., Jason Reitman, Julian Farino, Joss Whedon, Seth Gordon, Dean Holland, Lee Eisenberg, Gene Stupnitsky, Mindy Kaling, Ed Helms, Rodman Flender, Claire Scanlon, Amy Heckerling, Miguel Arteta, Roger Nygard, J.J. Abrams, Craig Zisk, Stephen Merchant, Reginald Hudlin, Asaad Kelada, Alex Hardcastle, Danny Leiner, John Scott, Marc Webb, Charlie Grandy, Michael Spiller, Eric Appel, Brian Baumgartner, Daniel Chun, Bryan Cranston, Kelly Cantley-Kashima, Jon Favreau, Lee Kirk, Jesse Peretz
Edited by: David Rogers, Claire Scanlon, Dean Holland, Rob Burnett, Stuart Bass, Rick Weis, Michael Zurer, Gary Levy, Josh Belson, Colin Johnson, Curtis Thurber, Kathryn Himoff, Richie Edelson, Grady Cooper
Cameras: Sony HDW-F900 Camera, Sony HDW-F900R Camera
First Assistant Camera: Second Unit
Winter Break (2003)
Directed by: Marni Banack
Cinematography by: George Mooradian
Additional First Assistant Camera
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Additional Assistant Camera: Second Unit
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Second Assistant Camera: Snow Unit, Colorado
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
