Emiliano Topai

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The Hitman's Bodyguard | ShotOnWhat?

First Assistant Camera: "A" Camera - Second Unit

The Hitman's Bodyguard (2017)

Directed by: Patrick Hughes

Cinematography by: Jules O'Loughlin

Edited by: Jake Roberts

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Angenieux Lenses, Hawk V-Lite Vintage´74 Lens

All the Money in the World | ShotOnWhat?

First Assistant Camera: "c" Camera

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

Risen | ShotOnWhat?

First Assistant Camera: "a" Camera

Risen (2016)

Directed by: Kevin Reynolds

Cinematography by: Lorenzo Senatore

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Camera

Ben-Hur | ShotOnWhat?

First Assistant Camera: "b" Camera

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

First Assistant Camera: "c" Camera, Italy

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Hercules | ShotOnWhat?

First Assistant Camera: Main Unit

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pompeii | ShotOnWhat?

First Assistant Camera: Italy

Pompeii (2014)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

300: Rise of an Empire | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Twice Born | ShotOnWhat?

First Assistant Camera: "b" Camera

Twice Born (2012)

Directed by: Sergio Castellitto

Cinematography by: Gian Filippo Corticelli

Edited by: Patrizio Marone

Cameras: ARRI ALEXA Plus Camera

Eat Pray Love | ShotOnWhat?

First Assistant Camera: "b" Camera, Italy

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Way Back | ShotOnWhat?

First Assistant Camera: "a" Camera

The Way Back (2010)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

When in Rome | ShotOnWhat?

First Assistant Camera: Italy

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The American | ShotOnWhat?

First Assistant Camera: "b" Camera

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit, Sicily

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Miracle at St. Anna | ShotOnWhat?

First Assistant Camera: Second Unit

Miracle at St. Anna (2008)

Directed by: Spike Lee

Cinematography by: Matthew Libatique

Edited by: Barry Alexander Brown

Jumper | ShotOnWhat?

First Assistant Camera: "c" Camera And Steadicam, Italy

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

A Sound of Thunder | ShotOnWhat?

Second Assistant Camera: "b" Camera

A Sound of Thunder (2005)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Sylvie Landra

The Passion of the Christ | ShotOnWhat?

Second Assistant Camera: "a" Camera

The Passion of the Christ (2004)

Directed by: Mel Gibson

Cinematography by: Caleb Deschanel

Edited by: Steve Mirkovich, John Wright

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Life Aquatic with Steve Zissou | ShotOnWhat?

Second Assistant Camera: "a" Camera

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Ocean's Twelve | ShotOnWhat?

First Assistant Camera: "b" Camera, Rome

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Gangs of New York | ShotOnWhat?

Second Assistant Camera: Second Unit

Gangs of New York (2002)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

Feardotcom | ShotOnWhat?

Second Assistant Camera: "a" Camera

Feardotcom (2002)

Directed by: William Malone

Cinematography by: Christian Sebaldt

Edited by: Alan Strachan

Pinocchio | ShotOnWhat?

Second Assistant Camera: "a" Camera

Pinocchio (2002)

Directed by: Roberto Benigni

Cinematography by: Dante Spinotti

Edited by: Simona Paggi

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

U-571 | ShotOnWhat?

Second Assistant Camera

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

The Talented Mr. Ripley | ShotOnWhat?

Camera Loader: "b" Camera

The Talented Mr. Ripley (1999)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Midsummer Night's Dream | ShotOnWhat?

Second Assistant Camera: "b" Camera, Second Unit

A Midsummer Night's Dream (1999)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Garth Craven

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