David Bach

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The Creator | ShotOnWhat?

Dialogue/adr Supervisor: E2

The Creator (2023)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser, Oren Soffer

Edited by: Hank Corwin, Scott Morris, Joe Walker

Cameras: Sony ILME-FX3 Camera

Lenses: Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Oppenheimer | ShotOnWhat?

Dialogue/adr Supervisor

Oppenheimer (2023)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Editing System: Avid Editing System

Ambulance | ShotOnWhat?

Additional Adr Supervision: E2

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Sea Beast | ShotOnWhat?

Dialogue Editor

The Sea Beast (2022)

Directed by: Chris Williams

Edited by: Joyce Arrastia

Dune | ShotOnWhat?

Dialogue Editor

Dune (2021)

Directed by: Denis Villeneuve

Cinematography by: Greig Fraser

Edited by: Joe Walker

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Tenet | ShotOnWhat?

Adr Supervisor

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Transformers: The Last Knight | ShotOnWhat?

Dialogue/adr Supervisor: E2

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dunkirk | ShotOnWhat?

Adr Supervisor

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Suicide Squad | ShotOnWhat?

Dialogue/adr Supervisor

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Midnight Special | ShotOnWhat?

Dialogue Editor

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Dialogue/adr Supervisor: E2

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Homesman | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Homesman (2014)

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Transformers: Age of Extinction | ShotOnWhat?

Adr Supervisor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Nebraska | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

Nebraska (2013)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

Editing System: Avid Editing System

Pain & Gain | ShotOnWhat?

Dialogue/adr Supervisor

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

G.I. Joe: Retaliation | ShotOnWhat?

Adr Editor

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

To the Wonder | ShotOnWhat?

Additional Dialogue Editor

To the Wonder (2012)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Argo | ShotOnWhat?

Supervising Adr And Dialogue Editor

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Won't Back Down | ShotOnWhat?

Adr Supervisor

Won't Back Down (2012)

Directed by: Daniel Barnz

Cinematography by: Roman Osin

Edited by: Kristina Boden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Words | ShotOnWhat?

Re-recording Mixer

The Words (2012)

Directed by: Brian Klugman, Lee Sternthal

Cinematography by: Antonio Calvache

Edited by: Leslie Jones

Cameras: Panavision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Spy Kids: All the Time in the World in 4D | ShotOnWhat?

Adr Editor

Spy Kids 4: All the Time in the World (2011)

Directed by: Robert Rodriguez

Cinematography by: Jimmy Lindsey, Robert Rodriguez

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

The Sunset Limited | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Sunset Limited (2011)

Television Movie

Directed by: Tommy Lee Jones

Cinematography by: Paul Elliott

Edited by: Larry Madaras, Roberto Silvi

The Change-Up | ShotOnWhat?

Dialogue Editor

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Arthur | ShotOnWhat?

Adr And Dialogue Supervisor

Arthur (2011)

Directed by: Jason Winer

Cinematography by: Uta Briesewitz

Edited by: Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

J. Edgar | ShotOnWhat?

Supervising Adr Editor

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Predators | ShotOnWhat?

Adr Editor

Predators (2010)

Directed by: Nimród Antal

Cinematography by: Gyula Pados

Edited by: Dan Zimmerman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Machete | ShotOnWhat?

Adr Editor / Dialogue Editor

Machete (2010)

Directed by: Ethan Maniquis, Robert Rodriguez

Cinematography by: Jimmy Lindsey

Edited by: Rebecca Rodriguez, Robert Rodriguez

Cameras: Panavision Genesis Camera

Editing System: Avid Editing System

Stone | ShotOnWhat?

Dialogue Editor

Stone (2010)

Directed by: John Curran

Cinematography by: Maryse Alberti

Edited by: Alexandre de Franceschi

State of Play | ShotOnWhat?

Dialogue Editor

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

In the Electric Mist | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

In the Electric Mist (2009)

Directed by: Bertrand Tavernier

Cinematography by: Bruno de Keyzer

Edited by: Thierry Derocles, Larry Madaras, Roberto Silvi

Repo Chick | ShotOnWhat?

Re-recording Mixer

Repo Chick (2009)

Directed by: Alex Cox

Cinematography by: Steven Fierberg

Edited by: Alex Cox

Public Enemies | ShotOnWhat?

Adr Editor / Dialogue Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Shorts | ShotOnWhat?

Adr Editor

Shorts (2009)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Love Guru | ShotOnWhat?

Dialogue/adr Supervisor

The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Bedtime Stories | ShotOnWhat?

Supervising Sound Editor

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Dance of the Dead | ShotOnWhat?

Re-recording Mixer

Dance of the Dead (2008)

Directed by: Gregg Bishop

Cinematography by: George Feucht

Edited by: Gregg Bishop

Reign Over Me | ShotOnWhat?

Supervising Sound Editor

Reign Over Me (2007)

Directed by: Mike Binder

Cinematography by: Russ T. Alsobrook

Edited by: Steve Edwards, Jeremy Roush

Cameras: Panavision Genesis Camera

Editing System: Final Cut Pro Editing System

Planet Terror | ShotOnWhat?

Adr Editor

Planet Terror (2007)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Ethan Maniquis, Robert Rodriguez

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Supervising Sound Editor

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Click | ShotOnWhat?

Supervising Sound Editor

Click (2006)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lake House | ShotOnWhat?

Dialogue Editor

The Lake House (2006)

Directed by: Alejandro Agresti

Cinematography by: Alar Kivilo

Edited by: Alejandro Brodersohn, Lynzee Klingman

Dark Water | ShotOnWhat?

Adr Supervisor

Dark Water (2005)

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

The Three Burials of Melquiades Estrada | ShotOnWhat?

Sound Supervisor

The Three Burials of Melquiades Estrada (2005)

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Supervising Dialogue Editor

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad News Bears | ShotOnWhat?

Dialogue Editor

Bad News Bears (2005)

Directed by: Richard Linklater

Cinematography by: Rogier Stoffers

Edited by: Sandra Adair

50 First Dates | ShotOnWhat?

Adr Supervisor

50 First Dates (2004)

Directed by: Peter Segal

Cinematography by: Jack N. Green

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Never Die Alone | ShotOnWhat?

Supervising Sound Editor

Never Die Alone (2004)

Directed by: Ernest R. Dickerson

Cinematography by: Matthew Libatique

Edited by: Stephen Lovejoy

Sideways | ShotOnWhat?

Adr Supervisor / Dialogue Supervisor

Sideways (2004)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Anger Management | ShotOnWhat?

Supervising Sound Editor

Anger Management (2003)

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

Masked and Anonymous | ShotOnWhat?

Adr Editor / Dialogue Editor

Masked and Anonymous (2003)

Directed by: Larry Charles

Cinematography by: Rogier Stoffers

Edited by: Luis Alvarez y Alvarez, Pietro Scalia

Adaptation. | ShotOnWhat?

Adr Editor

Adaptation. (2002)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hot Chick | ShotOnWhat?

Supervising Sound Editor

The Hot Chick (2002)

Directed by: Tom Brady

Cinematography by: Tim Suhrstedt

Edited by: Peck Prior

The Master of Disguise | ShotOnWhat?

Supervising Sound Editor

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

The Animal | ShotOnWhat?

Dialogue Editor

The Animal (2001)

Directed by: Luke Greenfield

Cinematography by: Peter Lyons Collister

Edited by: Jeff Gourson, Peck Prior

Daddy and Them | ShotOnWhat?

Dialogue Editor

Daddy and Them (2001)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Cameras

Slow Burn | ShotOnWhat?

Sound Supervisor

Slow Burn (2000)

Direct to Video

Directed by: Christian Ford

Cinematography by: Mark Vicente

Edited by: Jack Hofstra, Troy Takaki

All the Pretty Horses | ShotOnWhat?

Sound Editor

All the Pretty Horses (2000)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Sally Menke

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Little Nicky | ShotOnWhat?

Dialogue Editor

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Children of the Corn 666: Isaac's Return | ShotOnWhat?

Supervising Sound Editor

Children of the Corn 666: Isaac's Return (1999)

Direct to Video

Directed by: Kari Skogland

Cinematography by: Richard Clabaugh

Edited by: Troy Takaki

Cameras: ARRIFLEX 35 BL4s Camera

Gods and Monsters | ShotOnWhat?

Supervising Sound Editor

Gods and Monsters (1998)

Directed by: Bill Condon

Cinematography by: Stephen M. Katz

Edited by: Virginia Katz

Cameras: ARRIFLEX Camera

Smoke Signals | ShotOnWhat?

Sound Effects Editor

Smoke Signals (1998)

Directed by: Chris Eyre

Cinematography by: Brian Capener

Edited by: Brian Berdan

The Waterboy | ShotOnWhat?

Adr Editor / Dialogue Editor

The Waterboy (1998)

Directed by: Frank Coraci

Cinematography by: Steven Bernstein

Edited by: Tom Lewis

Cameras: Panavision Cameras

Judas Kiss | ShotOnWhat?

Sound Effects Editor

Judas Kiss (1998)

Directed by: Sebastian Gutierrez

Cinematography by: James Chressanthis

Edited by: Howard E. Smith

Cameras: Panavision Cameras

The Spitfire Grill | ShotOnWhat?

Sound Effects Editor

The Spitfire Grill (1996)

Directed by: Lee David Zlotoff

Cinematography by: Robert Draper

Edited by: Margaret Goodspeed

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