Fabrice Vienne

  43 Titles
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Visual Effects: Rodeo FX

'Game of Thrones' The Red Woman  (2016)

Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green

Visual Effects: Rodeo FX

'Game of Thrones' Oathbreaker  (2016)

Directed by: Daniel Sackheim
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland

Visual Effects: Rodeo FX

'Game of Thrones' The Door  (2016)

Directed by: Jack Bender
Cinematography by: Jonathan Freeman
Edited by: Crispin Green

Visual Effects: Rodeo FX

'Game of Thrones' The Broken Man  (2016)

Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker

Visual Effects: Rodeo FX

'Game of Thrones' No One  (2016)

Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Katie Weiland

Cg Supervisor: Rodeo FX

The Walk  (2015)

Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski

Visual Effects: Rodeo FX

'Game of Thrones' Sons of the Harpy  (2015)

Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter

Visual Effects: Rodeo FX

'Game of Thrones' Breaker of Chains  (2014)

Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland

Visual Effects: Rodeo FX

'Game of Thrones' Oathkeeper  (2014)

Directed by: Michelle MacLaren
Cinematography by: Robert McLachlan
Edited by: Crispin Green

Visual Effects: Rodeo FX

'Game of Thrones' Mockingbird  (2014)

Directed by: Alik Sakharov
Cinematography by: Fabian Wagner
Edited by: Tim Porter

Visual Effects: Rodeo FX

'Game of Thrones' Two Swords  (2014)

Cinematography by: Jonathan Freeman
Edited by: Katie Weiland

Computer Graphics Artist: Rodeo FX

The Host  (2013)

Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer

Digital Effects Artist

Doomsday  (2008)

Directed by: Neil Marshall
Cinematography by: Sam McCurdy

Digital Effects Artist

Flood  (2007)

Directed by: Tony Mitchell
Cinematography by: Pierre Jodoin

Digital Effects Artist

The Covenant  (2006)

Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
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