Effects Technical Director
Rio 2 (2014)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Effects Technical Director
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Lighter: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Effects & Lighting Technical Director: Cinesite
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Fx Technical Director: Cinesite
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lighting Technical Director
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Visual Effects Technical Director
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Lighting Artist: Rhythm & Hues Studios
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Lighting Technical Director
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Visual Effects Technical Director
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Visual Effects Technical Director: Rhythm & Hues
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Visual Effects Technical Director
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Effects Technical Director: Rhythm & Hues
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Dynamics Artist: Hydraulx
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Technical Director
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Lighting Technical Director: CafeFX
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Technical Director
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Technical Director
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Technical Director
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
CG Animator
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Technical Animator
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Matchmove Artist
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Match Move Artist: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Match Move Artist
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Matchmove Artist
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Match Move Artist: SPI
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Match Mover: Sony Pictures Imageworks Inc.
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Technical Assistant: SPI
James and the Giant Peach (1996)
Directed by: Henry Selick
Edited by: Stan Webb
Technical Assistant: SPI
The Cable Guy (1996)
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
