Production Sound Mixer
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Production Sound Mixer
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Production Sound Mixer: UK
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Production Sound Mixer
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Production Sound Mixer
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Production Sound Mixer
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Production Mixer
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Production Sound Mixer
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Sound Mixer
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Production Sound Mixer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Sound Mixer / Sound
The Blue Butterfly (2004)
Directed by: Léa Pool
Cinematography by: Pierre Mignot
Edited by: Michel Arcand
Production Sound Mixer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Production Sound Mixer
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Production Sound Mixer
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Production Sound Mixer
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Sound Mixer
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Production Sound Mixer
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Sound Recordist
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Sound Mixer
Stealing Beauty (1996)
Directed by: Bernardo Bertolucci
Cinematography by: Darius Khondji
Edited by: Pietro Scalia
Sound Mixer
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Sound Mixer
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Production Sound Mixer: UK
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Production Sound Mixer
Once Upon a Crime... (1992)
Directed by: Eugene Levy
Cinematography by: Giuseppe Rotunno
Edited by: Patrick Kennedy
Sound Mixer
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Sound Mixer
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Sound Designer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Production Sound
Slipstream (1989)
Directed by: Steven Lisberger
Cinematography by: Frank Tidy
Edited by: Terry Rawlings
Production Sound Mixer
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Production Sound Mixer
Dirty Rotten Scoundrels (1988)
Directed by: Frank Oz
Cinematography by: Michael Ballhaus
Sound Mixer
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Production Sound Mixer / Sound Recordist
The Holcroft Covenant (1985)
Directed by: John Frankenheimer
Cinematography by: Gerry Fisher
Edited by: Ralph Sheldon
Cameras: Panavision Cameras
Production Sound Mixer
Greystoke: The Legend of Tarzan, Lord of the Apes (1984)
Directed by: Hugh Hudson
Cinematography by: John Alcott
Edited by: Anne V. Coates
Sound Recordist
The French Lieutenant's Woman (1981)
Directed by: Karel Reisz
Cinematography by: Freddie Francis
Edited by: John Bloom
Cameras: Panavision Cameras
Sound Mixer
The Dogs of War (1980)
Directed by: John Irvin
Cinematography by: Jack Cardiff
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Sound Recordist
The Shining (1980)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Ray Lovejoy
Cameras: ARRIFLEX 35 BL Camera
Production Sound Mixer , Sound Recordist
Aces High (1976)
Directed by: Jack Gold
Cinematography by: Gerry Fisher
Edited by: Anne V. Coates
Cameras: Panavision Cameras
Lenses: Panavision Lenses
