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The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

Resident Evil: Retribution (2012)

Motion Picture | 3D | Color | 95 Minutes

Resident Evil: Retribution | ShotOnWhat?

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie

Starring | Milla Jovovich, Sienna Guillory, Michelle Rodriguez, Aryana Engineer

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

The Departed (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

Underworld: Awakening (2012)

Motion Picture | 2D, 3D | Color | 88 Minutes

Underworld: Awakening | ShotOnWhat?

Directed by | Måns Mårlind, Björn Stein | Cinematography by | Scott Kevan | Editing by | Jeff McEvoy

Starring | Kate Beckinsale, Michael Ealy, India Eisley, Stephen Rea

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

TRON (2010)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 125 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood

Starring | Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Box of Moon Light (1996)

Motion Picture | 2D | Color | 1.66:1 | 112 Minutes

Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo

Starring | John Turturro, Sam Rockwell, Catherine Keener, Lisa Blount

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Lost in Translation (2003)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

It’s All About Love (2003)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

It’s All About Love | ShotOnWhat?

Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir

Starring | Joaquin Phoenix, Claire Danes, Sean Penn, Douglas Henshall

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Barmy (2012)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Barmy | ShotOnWhat?

Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey

Starring | Napoleon Ryan, Sherill Turner, Liz Osborn, Evan Schwartz

Cameras | Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Lawless (2012)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor

Starring | Tom Hardy, Shia LaBeouf, Guy Pearce, Jason Clarke

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Vicky Cristina Barcelona (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter

Starring | Rebecca Hall, Scarlett Johansson, Javier Bardem, Christopher Evan Welch

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Wild Wild West (1999)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Michael Ballhaus | Editing by | Jim Miller

Starring | Will Smith, Kevin Kline, Kenneth Branagh, Salma Hayek

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

8 Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz

Starring | Eminem, Brittany Murphy, Kim Basinger, Mekhi Phifer

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Children of Men (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 109 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez

Starring | Julianne Moore, Clive Owen, Chiwetel Ejiofor, Michael Caine

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

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