Vincent Riotta

21 Titles

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Tár | ShotOnWhat?

Cory Berg

Tár (2022)

Directed by: Todd Field

Cinematography by: Florian Hoffmeister

Edited by: Monika Willi

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

House of Gucci | ShotOnWhat?

Fernando Reggiani

House of Gucci (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

Zack Snyder's Justice League | ShotOnWhat?

CID Chief Detective

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Rush | ShotOnWhat?

Lauda's Mechanic

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

"The Hour" Episode #2.1 | ShotOnWhat?

Raphael Cilenti

'The Hour' Episode #2.1 (2012)

Television Episode

Directed by: Sandra Goldbacher

Cinematography by: David Luther

Edited by: Gareth C. Scales

"The Hour" Episode #2.2 | ShotOnWhat?

Raphael Cilenti

'The Hour' Episode #2.2 (2012)

Television Episode

Directed by: Sandra Goldbacher

Cinematography by: David Luther

Edited by: Gareth C. Scales

"The Hour" Episode #2.6 | ShotOnWhat?

Raphael Cilenti

'The Hour' Episode #2.6 (2012)

Television Episode

Directed by: Jamie Payne

Cinematography by: David Luther

Edited by: Nick Arthurs

"The Hour" Episode #2.5 | ShotOnWhat?

Raphael Cilenti

'The Hour' Episode #2.5 (2012)

Television Episode

Directed by: Jamie Payne

Cinematography by: David Luther

Edited by: Nick Arthurs

"The Hour" Episode #2.4 | ShotOnWhat?

Raphael Cilenti

'The Hour' Episode #2.4 (2012)

Television Episode

Directed by: Catherine Morshead

Cinematography by: David Luther

Edited by: Paul Machliss

"The Hour" Episode #2.3 | ShotOnWhat?

Raphael Cilenti

'The Hour' Episode #2.3 (2012)

Television Episode

Directed by: Catherine Morshead

Cinematography by: David Luther

Edited by: Paul Machliss

Amanda Knox: Murder on Trial in Italy | ShotOnWhat?

Guiliano Mignini

Amanda Knox (2011)

Television Movie

Directed by: Robert Dornhelm

Cinematography by: Gian Enrico Bianchi

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Ultra Prime Lenses

The Hour | ShotOnWhat?

Raphael Cilenti

The Hour (2011)

Television Series

Directed by: Jamie Payne, Harry Bradbeer, Coky Giedroyc, Sandra Goldbacher, Catherine Morshead

Cinematography by: Chris Seager, David Luther

Edited by: Gareth C. Scales, Xavier Russell, Nick Arthurs, Paul Machliss

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Nine | ShotOnWhat?

Luigi

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Little Dorrit | ShotOnWhat?

Major Domo

Little Dorrit (2008)

Directed by: Adam Smith, Dearbhla Walsh, Diarmuid Lawrence

Cinematography by: Owen McPolin, Lukas Strebel, Alan Almond

Edited by: Philip Kloss, Nick Arthurs, David Head

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

"Little Dorrit" Episode #1.9 | ShotOnWhat?

Major Domo

'Little Dorrit' Episode #1.9 (2008)

Television Episode

Directed by: Adam Smith

Cinematography by: Owen McPolin

Edited by: Philip Kloss

The Dark Knight | ShotOnWhat?

Cop At 250 52nd St.

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

In ascolto | ShotOnWhat?

Frank Vaughan

In ascolto (2006)

Directed by: Giacomo Martelli

Cinematography by: Eric Maddison

Edited by: Alex Rodríguez, Justine Wright

Fade to Black | ShotOnWhat?

Alberto Cava

Fade to Black (2006)

Directed by: Oliver Parker

Cinematography by: John de Borman

Edited by: Guy Bensley

Belly of the Beast | ShotOnWhat?

Fitch McQuaid

Belly of the Beast (2003)

Direct to Video

Directed by: Siu-Tung Ching

Cinematography by: Danny Nowak

Edited by: David M. Richardson

Under the Tuscan Sun | ShotOnWhat?

Martini

Under the Tuscan Sun (2003)

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

In Love and War | ShotOnWhat?

Italian Officer

In Love and War (1996)

Directed by: Richard Attenborough

Cinematography by: Roger Pratt

Edited by: Lesley Walker

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

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