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The Devil Wears Prada (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Anne Hathaway, Meryl Streep, Adrian Grenier, Emily Blunt

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

44 Inch Chest (2009)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell

Starring | Ray Winstone, Ian McShane, John Hurt, Tom Wilkinson

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Body of Evidence (1992)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Uli Edel | Cinematography by | Douglas Milsome | Editing by | Thom Noble

Starring | Madonna, Willem Dafoe, Joe Mantegna, Anne Archer

Cameras | ARRIFLEX Camera

Lenses | ARRI Lenses

Resident Evil: Afterlife (2010)

Motion Picture | 2D, 3D | Color | 2.35:1 | 96 Minutes

Resident Evil: Afterlife | ShotOnWhat?

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie

Starring | Milla Jovovich, Ali Larter, Wentworth Miller, Kim Coates

Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses | Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

I Am Slave (2010)

Motion Picture | 2D | Color | 2.39:1 | 82 Minutes

Directed by | Gabriel Range | Cinematography by | Robbie Ryan | Editing by | Brand Thumim

Starring | Wunmi Mosaku, Isaach De Bankolé, Lubna Azabal, Igal Naor

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Crazies (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 101 Minutes

The Crazies | ShotOnWhat?

Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox

Starring | Radha Mitchell, Timothy Olyphant, Danielle Panabaker, Joe Anderson

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Jonah Lives (2015)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 94 Minutes

Jonah Lives | ShotOnWhat?

Directed by | Luis Carvalho | Cinematography by | Rich Marino, Jeremy Traub | Editing by | Luis Carvalho

Starring | Brinke Stevens, Jocelyn Padilla, Ryan Boudreau, Nicole Lasala

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speeds Mk III Lenses

Hall Pass (2011)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Hall Pass | ShotOnWhat?

Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Sam Seig

Starring | Owen Wilson, Jason Sudeikis, Christina Applegate, Jenna Fischer

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Air Force One (1997)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce

Starring | Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Variable Prime Lenses

Shark Night 3D (2011)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Shark Night 3D | ShotOnWhat?

Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler

Starring | Sara Paxton, Dustin Milligan, Chris Carmack, Katharine McPhee

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

Jin ling shi san chai (2011)

Motion Picture | 2D | Color | 2.39:1 | 146 Minutes

Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng

Starring | Christian Bale, Ni Ni, Xinyi Zhang, Tianyuan Huang

Cameras | ARRIFLEX 435 Xtreme Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

180º (2010)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne

Starring | Manuel Garcia-Rulfo, Elizabeth Valdez, Eduardo Blanco, Rodrigo Cachero

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Cop Out (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Cop Out | ShotOnWhat?

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith

Starring | Bruce Willis, Tracy Morgan, Juan Carlos Hernández, Cory Fernandez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Neighboring Sounds (2012)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho

Starring | Ana Rita Gurgel, Caio Almeida, Maeve Jinkings, Dida Maia

Cameras | Aaton Penelope Camera, ARRIFLEX Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

Anacondas: The Hunt for the Blood Orchid (2004)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Dwight H. Little | Cinematography by | Stephen F. Windon | Editing by | Marcus D'Arcy, Mark Warner

Starring | Morris Chestnut, KaDee Strickland, Eugene Byrd, Johnny Messner

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Young Victoria (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Hagen Bogdanski | Editing by | Jill Bilcock, Matt Garner

Starring | Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

Winter’s Bone (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Debra Granik | Cinematography by | Michael McDonough | Editing by | Affonso Gonçalves

Starring | Jennifer Lawrence, John Hawkes, Garret Dillahunt, Isaiah Stone

Cameras | Red One Camera

Lenses | Zeiss Master Prime Lenses

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