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TimeScapes (2012)

Motion Picture | 2D | Color | 52 Minutes

Directed by | Tom Lowe | Cinematography by | Tom Lowe | Editing by | Tom Lowe

Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera

Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

The Blind Side (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi

Starring | Quinton Aaron, Sandra Bullock, Tim McGraw, Jae Head

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Step Up Revolution (2012)

Motion Picture | 3D | Color | 99 Minutes

Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian

Starring | Kathryn McCormick, Ryan Guzman, Cleopatra Coleman, Misha Gabriel Hamilton

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Vow (2012)

Motion Picture | Color | 2.35:1 | 104 Minutes

The Vow | ShotOnWhat?

Directed by | Michael Sucsy | Cinematography by | Rogier Stoffers | Editing by | Melissa Kent, Nancy Richardson

Starring | Rachel McAdams, Channing Tatum, Sam Neill, Jessica Lange

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Dangerous Liaisons (1988)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Dangerous Liaisons | ShotOnWhat?

Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley

Starring | Glenn Close, John Malkovich, Michelle Pfeiffer, Swoosie Kurtz

Cameras | Moviecam 3N Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

Bob Roberts (1992)

Motion Picture | 2D | Color | 102 Minutes

Bob Roberts | ShotOnWhat?

Directed by | Tim Robbins | Cinematography by | Jean Lépine | Editing by | Lisa Zeno Churgin

Starring | Tim Robbins, Giancarlo Esposito, Alan Rickman, Ray Wise

Cameras | Aaton Cameras, ARRIFLEX Camera

Lenses | ARRI Lenses

Enter the Void (2009)

Motion Picture | 2D | Color | 2.39:1 | 161 Minutes

Enter the Void | ShotOnWhat?

Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel

Starring | Nathaniel Brown, Paz de la Huerta, Cyril Roy, Olly Alexander

Cameras | Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Ikonoskop Cameras

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

Shakespeare in Love (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble

Starring | Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Variable Prime Lenses

Rundskop (2011)

Motion Picture | 2D | Color | 129 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Alain Dessauvage

Starring | Matthias Schoenaerts, Jeroen Perceval, Jeanne Dandoy, Barbara Sarafian

Cameras | Aaton Penelope Camera

Lenses | Zeiss Master Prime Lenses

Moonrise Kingdom (2012)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray

Cameras | Aaton A-Minima Camera, Aaton Xterà Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

A Stranger in Paradise (2013)

Motion Picture | 2D | Color | 83 Minutes

Directed by | Corrado Boccia | Cinematography by | Guy Livneh | Editing by | Mark LaCroix, Troy Taroy

Starring | Colin Egglesfield, Catalina Sandino Moreno, Byron Mann, Stuart Townsend

Cameras | Red One MX Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Zeiss Ultra Prime Lenses

W.E. (2011)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 119 Minutes

Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull

Starring | Abbie Cornish, James D'Arcy, Andrea Riseborough, Oscar Isaac

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Ultra Prime Lenses

Amistad (1997)

Motion Picture | 2D | Color | 1.85:1 | 155 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Zeiss Super Speed Lenses

Jodaeiye Nader az Simin (2011)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari

Starring | Payman Maadi, Leila Hatami, Sareh Bayat, Shahab Hosseini

Cameras | Aaton 35-III Camera

Lenses | ARRI / Zeiss Lenses

The Wrestler (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum

Starring | Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Mark Margolis

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra 16 Lenses

Argo (2012)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg

Starring | Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

End of Watch (2012)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 109 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn

Starring | Jake Gyllenhaal, Michael Peña, Anna Kendrick, America Ferrera

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Eine ganz heiße Nummer (2011)

Motion Picture | Color | 95 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Simon Gstöttmayr

Starring | Gisela Schneeberger, Bettina Mittendorfer, Rosalie Thomass, Monika Gruber

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

The Devil Wears Prada (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Anne Hathaway, Meryl Streep, Adrian Grenier, Emily Blunt

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

44 Inch Chest (2009)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell

Starring | Ray Winstone, Ian McShane, John Hurt, Tom Wilkinson

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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