ARRI Lenses | 761 Titles
Chrysalis (2007)
Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss
Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Soshite chichi ni naru (2013)
Directed by | Hirokazu Koreeda | Cinematography by | Mikiya Takimoto | Editing by | Hirokazu Koreeda
Cameras | ARRIFLEX 535 B Camera
Tian zhu ding (2013)
Directed by | Zhangke Jia | Cinematography by | Nelson Lik-wai Yu | Editing by | Matthieu Laclau, Xudong Lin
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Studio Camera
Molly’s Theory of Relativity (2013)
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras | Red One MX Camera
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Rush (2013)
Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
X-Men: Days of Future Past (2014)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Michael Louis Hill, John Ottman
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
No Ordinary Family (2010)
| Cinematography by | Oliver Bokelberg, Joaquin Sedillo, David Boyd | Editing by | Tirsa Hackshaw, Anthony Miller, Anthony Scott, Mark Manos, Troy Takaki, Henk Van Eeghen
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Paranoia (2013)
Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford
Cameras | ARRI ALEXA Studio Camera
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Ain’t Them Bodies Saints (2013)
Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
White House Down (2013)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Adam Wolfe
Cameras | ARRI ALEXA Plus Camera, Sony CineAlta F65 Camera
Olympus Has Fallen (2013)
Bissige Hunde (2012)
Directed by | Alexander Eslam | Cinematography by | Carlo Jelavic | Editing by | Benjamin Entrup
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
Lenses | Zeiss Master Prime Lenses
SOKO Wismar (2004)
| Cinematography by | Constantin Kesting, Klaus Liebertz, Jakob Ebert, Georgij Pestov, Voxi Bärenklau, Nicolai Kätsch, Tobias Platow, Oliver Sander, Andreas Tams, Marcus Kanter, Sabine Berchter, Eeva Fleig, Konstantin Kröning, Till Müller, Inka Sackenheim, Rudolf Schröder, Michael Tötter, Markus Fraunholz, Thomas C. Wagner, Bernhard Wagner, Florian Foest | Editing by | Ines Bluhm, Vessela Martschewski, Claudia Klook, Florentine Bruck, Ingo Ehrlich, Ingo Recker, Yvonne von Bechtolsheim, Esther Weinert, Christine Boock, Julia Dupuis, Christian Bolik, Lars Jordan, Grit Meyer, Gilda Rosskamp, Lars Späth, Dagmar Dick, Ann-Sophie Schweizer, Claudia Fröhlich, Christiane Fazlagic, Lawrence Tooley, Daniel Jakubowski, Jochen Retter
Cameras | ARRIFLEX 16SR3 Camera, GoPro HD Hero2 Camera, GoPro HD Hero3 Camera, Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra 16 Lenses
Elementary (2012)
| Cinematography by | Ron Fortunato, Tom Houghton, Roy H. Wagner, Peter Reniers, Mauricio Rubinstein, Nelson Cragg, Carlos Omar Guerra | Editing by | Sondra Watanabe, Gerald Valdez, Jeff Vacirca, Bill Zabala, Victor Du Bois, Joe Hobeck, Sally Anne Schultz, Sang Han, Michelle Fellner
Cameras | ARRI ALEXA Camera
