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No One Lives (2012)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | Ryûhei Kitamura | Cinematography by | Daniel Pearl | Editing by | Toby Yates

Starring | Luke Evans, Gary Grubbs, Adelaide Clemens, Derek Magyar

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra Prime Lenses

Äkta människor (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Äkta människor | ShotOnWhat?

| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn

Starring | Lisette Pagler, Pia Halvorsen, Johan Paulsen, Natalie Minnevik

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Prisoners (2013)

Motion Picture | 2D | 4K Project | Color | 153 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joel Cox, Gary Roach

Starring | Hugh Jackman, Jake Gyllenhaal, Viola Davis, Melissa Leo

Cameras | ARRI ALEXA Studio Camera

Lenses | Zeiss Master Prime Lenses

The Americans (2013)

Television Series | 2D | Color | 44 Minutes

The Americans | ShotOnWhat?

| Cinematography by | Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung | Editing by | Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody

Starring | Keri Russell, Matthew Rhys, Keidrich Sellati, Holly Taylor

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

300: Rise of an Empire (2014)

Motion Picture | 3D | Color | 102 Minutes

Directed by | Noam Murro | Cinematography by | Simon Duggan | Editing by | David Brenner, Wyatt Smith

Starring | Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson

Cameras | Red Epic Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

The Great Gatsby (2013)

Motion Picture | 3D | Color | 2.39:1 | 143 Minutes

Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa

Starring | Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, Tobey Maguire

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

Riddick (2013)

Motion Picture | 2D | Color | 119 Minutes

Riddick | ShotOnWhat?

Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Tracy Adams

Starring | Vin Diesel, Karl Urban, Katee Sackhoff, Jordi Mollà

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Loft (2014)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

The Loft | ShotOnWhat?

Directed by | Erik Van Looy | Cinematography by | Nicolas Karakatsanis | Editing by | Eddie Hamilton

Starring | Karl Urban, James Marsden, Wentworth Miller, Eric Stonestreet

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Master Prime Lenses

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Key and Peele (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Charles Papert | Editing by | Christian Hoffman, Adam Lichtenstein, Richard LaBrie, Nicholas Monsour, Maura Corey, Phil Davis, Justin Donaldson, Neil Mahoney, Bryan Shelton, Stephen Waichulis

Starring | Keegan-Michael Key, Jordan Peele, Ron Artest, Matt Wheeler

Cameras | ARRI ALEXA XT Camera, Sony PMW-F3 Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

The Paperboy (2012)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

The Paperboy | ShotOnWhat?

Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz

Starring | Matthew McConaughey, Nicole Kidman, John Cusack, Zac Efron

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Stay (2005)

Motion Picture | 2D | Color | 2.35:1 | 15 Minutes

Stay | ShotOnWhat?

Directed by | David Brind | Cinematography by | Kenneth Wilson II

Starring | Tessa Auberjonois, Louis Cancelmi, John Boyd, Adriana DeMeo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Stoker (2013)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Stoker | ShotOnWhat?

Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth

Starring | Mia Wasikowska, Nicole Kidman, Matthew Goode, Dermot Mulroney

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Puberty Blues (2012)

Television Series | 2D | Color | 45 Minutes

Puberty Blues | ShotOnWhat?

| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo

Starring | Brenna Harding, Ashleigh Cummings, Sean Keenan, Charlotte Best

Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

Reach Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | John Herzfeld | Cinematography by | Vern Nobles | Editing by | Steven Cohen

Starring | Lauren Cohan, Kyra Sedgwick, Thomas Jane, Kevin Connolly

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses

Identity Thief (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Identity Thief | ShotOnWhat?

Directed by | Seth Gordon | Cinematography by | Javier Aguirresarobe | Editing by | Peter Teschner

Starring | Jason Bateman, Melissa McCarthy, John Cho, Amanda Peet

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Warm Bodies (2013)

Motion Picture | 2D | Color, Black and White | 2.39:1 | 98 Minutes

Warm Bodies | ShotOnWhat?

Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson

Starring | Nicholas Hoult, Teresa Palmer, John Malkovich, Analeigh Tipton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Snitch (2013)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Ric Roman Waugh | Cinematography by | Dana Gonzales | Editing by | Jonathan Chibnall

Starring | Dwayne Johnson, Susan Sarandon, Jon Bernthal, Rafi Gavron

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Sound of Noise (2010)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

Sound of Noise | ShotOnWhat?

Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf

Starring | Bengt Braskered, Sanna Persson, Magnus Börjeson, Johannes Björk

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses

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