ARRI Lenses | 761 Titles
Jab Tak Hai Jaan (2012)
Directed by | Yash Chopra | Cinematography by | Anil Mehta | Editing by | Namrata Rao
Cameras | ARRIFLEX 435 Xtreme Camera
La piel que habito (2011)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Lenses | Zeiss Master Prime Lenses
Kon-Tiki (2012)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Geir Hartly Andreassen | Editing by | Perry Eriksen, Martin Stoltz
Holy Motors (2012)
Directed by | Leos Carax | Cinematography by | Yves Cape, Caroline Champetier | Editing by | Nelly Quettier
Cameras | Red Epic Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses
Won’t Back Down (2012)
Directed by | Daniel Barnz | Cinematography by | Roman Osin | Editing by | Kristina Boden
Cameras | ARRICAM Lite (LT) Camera
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
Lies I Told My Little Sister (2014)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | Chris Daker, William J. Stribling
Lenses | Zeiss Ultra Prime Lenses
Toto (2011)
Directed by | Andoni Elias Nava | Cinematography by | Alex Gallitano | Editing by | Andoni Elias Nava
Cameras | ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Beyond Belief (2012)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | William J. Stribling
Cameras | Sony Cameras, Sony PMW-F3 Camera
Evil Dead (2013)
Directed by | Fede Alvarez | Cinematography by | Aaron Morton | Editing by | Bryan Shaw
Cameras | Sony CineAlta F65 Camera
The Man with the Iron Fists (2012)
Directed by | RZA | Cinematography by | Chi-Ying Chan | Editing by | Joe D'Augustine
Cameras | Red One MX Camera, Silicon Imaging SI-2K Camera
Push (2009)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera
Texas Chainsaw 3D (2013)
Directed by | John Luessenhop | Cinematography by | Anastas N. Michos | Editing by | Randy Bricker
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Department (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Vinay Chauhan, Abhijit Kokate
Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
Matru ki Bijlee ka Mandola (2013)
Directed by | Vishal Bhardwaj | Cinematography by | Kartik Vijay | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA Camera, ARRI Cameras
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Hitchcock (2012)
Directed by | Sacha Gervasi | Cinematography by | Jeff Cronenweth | Editing by | Pamela Martin
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Prom Night (2008)
Snowboard Academy (1996)
Directed by | John Shepphird | Cinematography by | Bruno Philip | Editing by | Richard Comeau
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Arrival II (1998)
Directed by | Kevin Tenney | Cinematography by | Bruno Philip | Editing by | Gregory Fine, Heidi Haines
Lenses | Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
