ARRI Lenses | 761 Titles
Yi jiu si er (2012)
Xue di zi (2012)
Directed by | Andrew Lau Wai-Keung | Cinematography by | Yuen Man Fung | Editing by | Wai Chiu Chung
Da Shang Hai (2012)
Directed by | Jing Wong | Cinematography by | Jason Kwan, Andrew Lau Wai-Keung, Yong Yang, Zhen Yang | Editing by | Wai Chiu Chung
Cameras | ARRI ALEXA Camera, Red Epic Camera
Nurse 3D (2013)
Directed by | Douglas Aarniokoski | Cinematography by | Boris Mojsovski | Editing by | Andrew Coutts
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Trance (2013)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Furious 6 (2013)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera
Rebelle (2012)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Fruitvale Station (2013)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
The Impossible (2012)
Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana
Lenses | Zeiss Master Prime Lenses
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
The Hobbit: The Desolation of Smaug (2013)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | GoPro HD Hero3 Camera, Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Silver Linings Playbook (2012)
Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers
Les Misérables (2012)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver
Un giorno devi andare (2013)
Directed by | Giorgio Diritti | Cinematography by | Roberto Cimatti | Editing by | Esmeralda Calabria
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Blue Caprice (2013)
Directed by | Alexandre Moors | Cinematography by | Brian O'Carroll | Editing by | Gordon Grinberg, Alexandre Moors
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
Movie 43 (2013)
Directed by | Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk | Cinematography by | Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt | Editing by | Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras | Red One MX Camera
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Ek Tha Tiger (2012)
Dabangg 2 (2012)
Directed by | Arbaaz Khan | Cinematography by | Aseem Mishra | Editing by | Hemal Kothari
Cameras | ARRICAM Lite (LT) Camera