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City of God (2002)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Phellipe Haagensen

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

No Country for Old Men (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 122 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Tommy Lee Jones, Javier Bardem, Josh Brolin, Woody Harrelson

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses

Glorious 39 (2009)

Motion Picture | 2D | Color | 129 Minutes

Directed by | Stephen Poliakoff | Cinematography by | Danny Cohen | Editing by | Jason Krasucki

Starring | Romola Garai, Eddie Redmayne, Juno Temple, Toby Regbo

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Broken Flowers (2005)

Motion Picture | 2D | Color | 106 Minutes

Broken Flowers | ShotOnWhat?

Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Jay Rabinowitz

Starring | Bill Murray, Jessica Lange, Sharon Stone, Julie Delpy

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Variable Prime Lenses

Idlewild (2006)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud

Starring | André 3000, Big Boi, Terrence Howard, Paula Patton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

I, Robot (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian

Starring | Will Smith, Bridget Moynahan, Bruce Greenwood, Alan Tudyk

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses

The New Daughter (2009)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

The New Daughter | ShotOnWhat?

Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan

Starring | Kevin Costner, Ivana Baquero, Samantha Mathis, Gattlin Griffith

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Air America (1990)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Roger Spottiswoode | Cinematography by | Roger Deakins | Editing by | John Bloom, Lois Freeman-Fox

Starring | Mel Gibson, Robert Downey Jr., Nancy Travis, Ken Jenkins

Cameras | ARRIFLEX Camera

Lenses | ARRI / Zeiss Lenses

The Young Girl and the Monsoon (1999)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

The Young Girl and the Monsoon | ShotOnWhat?

Directed by | James Ryan | Cinematography by | Benjamin Wolf | Editing by | John David Allen

Starring | Terry Kinney, Ellen Muth, Mili Avital, Domenick Lombardozzi

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

Chernobyl Diaries (2012)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Chernobyl Diaries | ShotOnWhat?

Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas

Starring | Jesse McCartney, Jonathan Sadowski, Olivia Taylor Dudley, Nathan Phillips

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Muppets (2011)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | James Bobin | Cinematography by | Don Burgess | Editing by | James Thomas

Starring | Amy Adams, Jason Segel, Chris Cooper, Rashida Jones

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hope and Glory (1987)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Hope and Glory | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford

Starring | Sarah Miles, David Hayman, Sebastian Rice-Edwards, Geraldine Muir

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke Varopanchro 20-60mm T3.1 Lens, Zeiss Super Speed Lenses

25th Hour (2002)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

25th Hour | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown

Starring | Edward Norton, Barry Pepper, Philip Seymour Hoffman, Rosario Dawson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

Now Is Good (2012)

Motion Picture | 2D | Color | 103 Minutes

Now Is Good | ShotOnWhat?

Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert

Starring | Dakota Fanning, Josef Altin, Jeremy Irvine, Paddy Considine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Hao men ye yan (1991)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu

Starring | Anthony Chan, Pak-Cheung Chan, Philip Chan, Sylvia Chang

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Final Destination 5 (2011)

Motion Picture | 3D | Color | 2.35:1 | 92 Minutes

Final Destination 5 | ShotOnWhat?

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Miles Fisher

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Breaking and Entering (2006)

Motion Picture | 2D | Color | 2.35:1 | 120 Minutes

Breaking and Entering | ShotOnWhat?

Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning

Starring | Jude Law, Robin Wright, Vera Farmiga, Martin Freeman

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Ultra Prime Lenses

Like Crazy (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Like Crazy | ShotOnWhat?

Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts

Starring | Felicity Jones, Anton Yelchin, Jennifer Lawrence, Charlie Bewley

Cameras | Canon EOS-7D Camera

Lenses | Zeiss Ultra Prime Lenses

Manda Bala (Send a Bullet) (2007)

Motion Picture | 2D | Color | 85 Minutes

Manda Bala (Send a Bullet) | ShotOnWhat?

Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses

Byzantium (2012)

Motion Picture | 2D | Color | 2.35:1 | 118 Minutes

Byzantium | ShotOnWhat?

Directed by | Neil Jordan | Cinematography by | Sean Bobbitt | Editing by | Tony Lawson

Starring | Saoirse Ronan, Gemma Arterton, Sam Riley, Caleb Landry Jones

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Master Prime Lenses

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