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The Man Who Loved Women (1977)

Motion Picture | 2D | Black & White, Color | 1.66:1 | 120 Minutes

Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué

Starring | Charles Denner, Brigitte Fossey, Nelly Borgeaud, Geneviève Fontanel

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Safe House (2012)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 115 Minutes

Safe House | ShotOnWhat?

Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Richard Pearson

Starring | Denzel Washington, Ryan Reynolds, Robert Patrick, Vera Farmiga

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Transformers: Dark of the Moon (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 154 Minutes

Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, William Goldenberg, Joel Negron

Starring | Shia LaBeouf, Rosie Huntington-Whiteley, Tyrese Gibson, Josh Duhamel

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

True Grit (2010)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

The Illusionist (2006)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty

Starring | Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Fast Life (2003)

Direct to Video | 2D | Color | 1.85:1 | 57 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma

Starring | Frantz G. Saint Louis Jr., Jamie Hector, Jimmy Gary Jr., Matthew Aaron

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | ARRI / Zeiss Lenses

Adam Resurrected (2008)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 106 Minutes

Adam Resurrected | ShotOnWhat?

Directed by | Paul Schrader | Cinematography by | Sebastian Edschmid | Editing by | Sandy Saffeels

Starring | Jeff Goldblum, Willem Dafoe, Cristian Motiu, Derek Jacobi

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Eastern Promises (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Naomi Watts, Viggo Mortensen, Armin Mueller-Stahl, Josef Altin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

Hearat Shulayim (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin

Starring | Shlomo Bar-Aba, Lior Ashkenazi, Aliza Rosen, Alma Zack

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Canon Lenses, Cine Magic Cinewand Lenses, Zeiss Ultra Prime Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Mr. Popper’s Penguins (2011)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Mr. Popper’s Penguins | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green

Starring | Jim Carrey, Carla Gugino, Angela Lansbury, Ophelia Lovibond

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Postcards from the Future (2007)

Motion Picture | 2D | Color | 1.85:1 | 38 Minutes

Postcards from the Future | ShotOnWhat?

Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley

Starring | Robb Hughes, Cori Bright, Freddie Johnson, Denise Gossett

Cameras | Dalsa Origin Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

Little Children (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 136 Minutes

Directed by | Todd Field | Cinematography by | Antonio Calvache | Editing by | Leo Trombetta

Starring | Kate Winslet, Jennifer Connelly, Patrick Wilson, Jackie Earle Haley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

War Horse (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jeremy Irvine, Emily Watson, David Thewlis, Benedict Cumberbatch

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

The Chronicles of Narnia: Prince Caspian (2008)

Motion Picture | 2D | Color | 2.35:1 | 150 Minutes

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones

Starring | Ben Barnes, Skandar Keynes, Georgie Henley, William Moseley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Zeiss Master Prime Lenses

Elephant (2003)

Motion Picture | 2D | Color | 81 Minutes

Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Gus Van Sant

Starring | Elias McConnell, Alex Frost, Eric Deulen, John Robinson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Super Speed Lenses

Old Joy (2006)

Motion Picture | Color | 76 Minutes

Old Joy | ShotOnWhat?

Directed by | Kelly Reichardt | Cinematography by | Peter Sillen | Editing by | Kelly Reichardt

Starring | Daniel London, Will Oldham, Tanya Smith, Robin Rosenberg

Cameras | Aaton A-Minima Camera

Lenses | Zeiss Super Speeds Mk I Lenses

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