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Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Burn After Reading (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen

Starring | Brad Pitt, Frances McDormand, George Clooney, John Malkovich

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Nova Zembla (2011)

Motion Picture | 3D | Color | 108 Minutes

Directed by | Reinout Oerlemans | Cinematography by | Lennert Hillege | Editing by | Michiel Reichwein

Starring | Robert de Hoog, Victor Reinier, Jan Decleir, Juda Goslinga

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The King’s Speech (2010)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

The King’s Speech | ShotOnWhat?

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar

Starring | Colin Firth, Geoffrey Rush, Helena Bonham Carter, Derek Jacobi

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Hustle & Flow (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 116 Minutes

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Terrence Howard, Ludacris, Anthony Anderson, Taryn Manning

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Ultra Prime Lenses

A Midsummer Night’s Rave (2002)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Gil Cates Jr. | Cinematography by | Tom Harting | Editing by | Jonathan Cates

Starring | Andrew Keegan, Chad Lindberg, Lauren German, Corey Pearson

Cameras | Moviecam Compact Camera

Lenses | ARRI / Zeiss Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Broken Embraces (2009)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano

Starring | Penélope Cruz, Lluís Homar, Blanca Portillo, José Luis Gómez

Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

Win Win (2011)

Motion Picture | 2D | 2K Project | Color | 106 Minutes

Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle

Starring | Paul Giamatti, Amy Ryan, Jeffrey Tambor, Bobby Cannavale

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

D.O.A. (1988)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 96 Minutes

Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller

Starring | Dennis Quaid, Meg Ryan, Charlotte Rampling, Daniel Stern

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Tree of Life (2011)

Motion Picture | Color | 1.85:1 | 139 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Starring | Brad Pitt, Sean Penn, Jessica Chastain, Hunter McCracken

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Super 8 (2011)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Elle Fanning, AJ Michalka, Kyle Chandler, Joel Courtney

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

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