Kodak Vision Color 2383/3383 | 582 Titles
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Chicago (2002) 
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh
Lenses | Cooke S4 Lenses
Marley & Me (2008)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Ultra Prime Lenses
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
Tsotsi (2005)
Directed by | Gavin Hood | Cinematography by | Lance Gewer | Editing by | Megan Gill
Cameras | Moviecam Compact Camera
28 Days Later… (2002)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill
Cameras | ARRI Cameras, Canon XL1 Camera
Lenses | Canon EC Series Lenses, Canon EJ Series Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
National Treasure (2004)
Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Pirates! Band of Misfits (2012)
Directed by | Peter Lord, Jeff Newitt | Cinematography by | Frank Passingham | Editing by | Justin Krish
Cameras | Canon EOS-5D Mark II Camera
Sleepy Hollow (1999)
Directed by | Tim Burton | Cinematography by | Emmanuel Lubezki | Editing by | Chris Lebenzon, Joel Negron
Cameras | Panavision Panaflex Platinum Camera
O Brother, Where Art Thou? (2000)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Ides of March (2011)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Platinum Camera
The Insider (1999)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | William Goldenberg, David Rosenbloom, Paul Rubell
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
A Series of Unfortunate Events (2004)
Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Coraline (2009)
Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders
Hop (2011)
Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler
Lenses | Panavision Primo Anamorphic Lenses
Nowhere Boy (2009)
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Life Aquatic with Steve Zissou (2004)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | David Moritz
Lenses | Panavision Primo Anamorphic Lenses
