Kodak Vision Color 2383/3383 | 582 Titles
Green Zone (2010)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Johnny English (2003)
Directed by | Peter Howitt | Cinematography by | Remi Adefarasin | Editing by | Robin Sales
Lenses | Angenieux Lenses, Zeiss Lenses
Tropic Thunder (2008)
Directed by | Ben Stiller | Cinematography by | John Toll | Editing by | Greg Hayden
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Man cheng jin dai huang jin jia (2006)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses, Zeiss ARRI Macro Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras | Panavision Panaflex Platinum Camera
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Catch Me If You Can (2002)
Death at a Funeral (2010)
Directed by | Neil LaBute | Cinematography by | Rogier Stoffers | Editing by | Tracey Wadmore-Smith
Cameras | Panavision Genesis Camera
A Very Harold & Kumar 3D Christmas (2011)
Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack
Cameras | Panavision Genesis Camera
The Taking of Pelham 1 2 3 (2009)
Directed by | Tony Scott | Cinematography by | Tobias A. Schliessler | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Grown Ups (2010)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Napoleon Dynamite (2004)
Directed by | Jared Hess | Cinematography by | Munn Powell | Editing by | Jeremy Coon
Cameras | Panavision Cameras
Adaptation. (2002)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Cameras | Panavision Panaflex Millennium XL Camera
Battleship (2012)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Premium Rush (2012)
Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Karate Kid (2010)
Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Cooke S4 Lenses
Atonement (2007)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
The Black Dahlia (2006)
Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Predators (2010)
Directed by | Nimród Antal | Cinematography by | Gyula Pados | Editing by | Dan Zimmerman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
