Kodak Vision Color 2383/3383 | 582 Titles
The Hurricane (1999)
Directed by | Norman Jewison | Cinematography by | Roger Deakins | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Men in Black II (2002)
Directed by | Barry Sonnenfeld | Cinematography by | Greg Gardiner | Editing by | Richard Pearson, Steven Weisberg
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Finding Neverland (2004)
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Devil (2010)
Directed by | John Erick Dowdle | Cinematography by | Tak Fujimoto | Editing by | Elliot Greenberg
Cameras | Panavision Cameras
Gods and Generals (2003)
Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers
Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
The Unborn (2009)
Directed by | David S. Goyer | Cinematography by | James Hawkinson | Editing by | Jeff Betancourt
Cameras | Panavision Cameras
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day
Lenses | Cooke S4 Lenses
Yes Man (2008)
Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert
Cameras | Panavision Cameras
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
Dark Shadows (2012)
Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | Chris Lebenzon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Last Airbender (2010)
Due Date (2010)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher
Lenses | Panavision Primo Anamorphic Lenses
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Win a Date with Tad Hamilton! (2004)
Directed by | Robert Luketic | Cinematography by | Peter Lyons Collister | Editing by | Scott Hill
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Jarhead (2005)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Walter Murch
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera
Lenses | Cooke S4 Lenses
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
