Vertical Film Print Orientation | 1284 Titles
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
35 Shots of Rum (2008)
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne
Cameras | Aaton 35-III Camera
The Crazies (2010)
Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Mon pire cauchemar (2011)
Directed by | Anne Fontaine | Cinematography by | Jean-Marc Fabre | Editing by | Luc Barnier, Nelly Ollivault
Reign of Fire (2002)
Directed by | Rob Bowman | Cinematography by | Adrian Biddle | Editing by | Thom Noble, Declan McGrath
Cameras | Panavision Cameras
Marley (2012)
Directed by | Kevin Macdonald | Cinematography by | Mike Eley, Alwin H. Küchler, Wally Pfister | Editing by | Dan Glendenning
Armageddon (1998)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
When Did You Last See Your Father? (2007)
Directed by | Anand Tucker | Cinematography by | Howard Atherton | Editing by | Trevor Waite
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Hawk V-Series Lenses
36th Precinct (2004)
Air Force One (1997)
Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Variable Prime Lenses
The Strangers (2008)
Directed by | Bryan Bertino | Cinematography by | Peter Sova | Editing by | Kevin Greutert
Cameras | Panavision Cameras
Role Models (2008)
Directed by | David Wain | Cinematography by | Russ T. Alsobrook | Editing by | Eric Kissack
Cameras | Panavision Cameras
20 sigarette (2010)
Directed by | Aureliano Amadei | Cinematography by | Vittorio Omodei Zorini | Editing by | Alessio Doglione
Cameras | ARRIFLEX 416 Camera
10,000 BC (2008)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | Alexander Berner
Cameras | ARRI Cameras, Moviecam Cameras
Lenses | Angenieux Lenses, Zeiss Lenses
Titanic (1997) 
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
One for the Money (2012)
Directed by | Julie Anne Robinson | Cinematography by | Jim Whitaker | Editing by | Lisa Zeno Churgin
Basic (2003)
Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.
Cameras | Panavision Panaflex Camera
