35mm Film Negative Width | 2711 Titles
Harry Potter and the Prisoner of Azkaban (2004)
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
Lenses | Cooke S4 Lenses
Children of Men (2006)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Mud (2012)
Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium XL Camera
Army of One (1993)
Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton
Cameras | Todd-AO CineSpace 70 Camera
Les infidèles (2012)
Directed by | Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche | Cinematography by | Guillaume Schiffman | Editing by | Anny Danché, Julien Leloup
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Almost Famous (2000)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Saar Klein
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Passion in the Desert (1997)
Alex Rider: Operation Stormbreaker (2006)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Great Expectations (1998)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Interlocked: Thrilled to Death (1998)
Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz
Cameras | ARRIFLEX Camera
De fem benspænd (2003)
Directed by | Jørgen Leth, Lars von Trier | Cinematography by | Dan Holmberg | Editing by | Morten Højbjerg, Camilla Skousen
Cameras | ARRI Cameras
…And Then She Was Gone (1991)
Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dreamer: Inspired by a True Story (2005)
Directed by | John Gatins | Cinematography by | Fred Murphy | Editing by | David Rosenbloom
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Red Riding Hood (2011)
Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong
The Ghost and the Darkness (1996)
Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Let the Right One In (2008)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
A Night at the Roxbury (1998)
Directed by | John Fortenberry | Cinematography by | Francis Kenny | Editing by | Jay Kamen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Lovely Bones (2009)
The Special Relationship (2010)
Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
