35mm Film Negative Width | 2711 Titles
White Noise (2005)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Nick Arthurs
Cameras | Panavision Cameras
Lenses | Panavision Lenses
24 7: Twenty Four Seven (1997)
Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Lenses
Leap Year (2010)
Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore
Cameras | Panavision Panaflex Millennium XL Camera
Kill Bill: Vol. 2 (2004)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera
Terraferma (2011)
A Guide to Recognizing Your Saints (2006)
Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen
Reservoir Dogs (1992)
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
Brooklyn Rules (2007)
Good (2008)
Directed by | Vicente Amorim | Cinematography by | Andrew Dunn | Editing by | John Wilson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Patch Adams (1998)
Directed by | Tom Shadyac | Cinematography by | Phedon Papamichael | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Bicentennial Man (1999)
Directed by | Chris Columbus | Cinematography by | Phil Meheux | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Gold II Camera
Hak hap (1996)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Difficult to Stay Alive and Die (2009)
Directed by | Michael Bail | Cinematography by | Matthew Espenshade | Editing by | Michael Bail
Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera
My Sister’s Keeper (2009)
Directed by | Nick Cassavetes | Cinematography by | Caleb Deschanel | Editing by | Jim Flynn, Alan Heim
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Amateur (1994)
Directed by | Hal Hartley | Cinematography by | Michael Spiller | Editing by | Steve Hamilton
Cameras | Panavision Panaflex Gold Camera
Easy Virtue (2008)
Directed by | Stephan Elliott | Cinematography by | Martin Kenzie | Editing by | Sue Blainey
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Twin Peaks: Fire Walk with Me (1992)
Directed by | David Lynch | Cinematography by | Ronald Víctor García | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold Camera
Jing wu ying xiong (1994)
Directed by | Gordon Chan | Cinematography by | Derek Wan | Editing by | Ki-Hop Chan, Chak-Man Cheng
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses



























































