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Kodak Vision2 500T 5218/7218 Neg. Film | 239 Titles

Kodak Vision2 500T 5218/7218 Neg. Film 4.00/5 2 Votes

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Jo sok (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Jaycee Chan, Fiona Sit, Anthony Chau-Sang Wong, Eric Tsang

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Girl with a Pearl Earring (2003)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans

Starring | Scarlett Johansson, Colin Firth, Tom Wilkinson, Judy Parfitt

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

The Devil Wears Prada (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Anne Hathaway, Meryl Streep, Adrian Grenier, Emily Blunt

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

44 Inch Chest (2009)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell

Starring | Ray Winstone, Ian McShane, John Hurt, Tom Wilkinson

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Ocean’s Thirteen (2007)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Ocean’s Thirteen | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | George Clooney, Brad Pitt, Matt Damon, Michael Mantell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Prince of Persia: The Sands of Time (2010)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Prince of Persia: The Sands of Time | ShotOnWhat?

Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh

Starring | Jake Gyllenhaal, Gemma Arterton, Ben Kingsley, Alfred Molina

Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

36th Precinct (2004)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Olivier Marchal | Cinematography by | Denis Rouden | Editing by | Hugues Darmois

Starring | Daniel Auteuil, Gérard Depardieu, André Dussollier, Valeria Golino

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Poseidon (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 98 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Peter Honess

Starring | Richard Dreyfuss, Kurt Russell, Emmy Rossum, Josh Lucas

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Happy in the Valley (2009)

Motion Picture | Color | 91 Minutes

Directed by | Lee Madsen | Cinematography by | Ben Kufrin | Editing by | Dean Lemes

Starring | William Forsythe, Shaun Sipos, Zoë Hall, Dee Wallace

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

The Assassination of Jesse James by the Coward Robert Ford (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 160 Minutes

Directed by | Andrew Dominik | Cinematography by | Roger Deakins | Editing by | Curtiss Clayton, Dylan Tichenor

Starring | Brad Pitt, Casey Affleck, Sam Shepard, Mary-Louise Parker

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Cooke Lenses, Cooke S4 Lenses

Afterschool (2008)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 120 Minutes

Directed by | Antonio Campos | Cinematography by | Jody Lee Lipes | Editing by | Antonio Campos

Starring | Ezra Miller, Jeremy Allen White, Emory Cohen, Michael Stuhlbarg

Cameras | ARRIFLEX 535 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The Young Victoria (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Hagen Bogdanski | Editing by | Jill Bilcock, Matt Garner

Starring | Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Spiderwick Chronicles (2008)

Motion Picture | 2D | Color | 2.35:1 | 96 Minutes

The Spiderwick Chronicles | ShotOnWhat?

Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn

Starring | Freddie Highmore, Sarah Bolger, David Strathairn, Mary-Louise Parker

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Blood Diamond (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 143 Minutes

Directed by | Edward Zwick | Cinematography by | Eduardo Serra | Editing by | Steven Rosenblum

Starring | Leonardo DiCaprio, Djimon Hounsou, Jennifer Connelly, Kagiso Kuypers

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses

Pan’s Labyrinth (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana

Starring | Ivana Baquero, Ariadna Gil, Sergi López, Maribel Verdú

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Revolutionary Road (2008)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar

Starring | Leonardo DiCaprio, Kate Winslet, Christopher Fitzgerald, Jonathan Roumie

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Around the World in 80 Days (2004)

Motion Picture | 2D | Color | 120 Minutes

Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Tom Lewis

Starring | Jackie Chan, Steve Coogan, Jim Broadbent, Kathy Bates

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Classic Spherical Lenses

The Chorus (2004)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Christophe Barratier | Cinematography by | Jean-Jacques Bouhon, Dominique Gentil, Carlo Varini | Editing by | Yves Deschamps

Starring | Gérard Jugnot, François Berléand, Jean-Baptiste Maunier, Kad Merad

Lenses | Hawk Anamorphic Lenses

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