Kodak Vision2 500T 5218/7218 Neg. Film | 239 Titles
Troy (2004)
Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess
Lenses | Cooke S4 Lenses
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Downfall (2004)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Lenses | Zeiss Ultra Prime Lenses
The Tree of Life (2011)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Match Point (2005)
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Charlie and the Chocolate Factory (2005)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Jodhaa Akbar (2008)
Directed by | Ashutosh Gowariker | Cinematography by | Kiran Deohans | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses
Samsara (2001)
Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier
Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera
Lenses | Schneider Variogon Lenses
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
San wa (2005)
Directed by | Stanley Tong | Cinematography by | Wing-Hang Wong | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Panavision Panaflex Platinum Camera
The Heir Apparent: Largo Winch (2008)
Loverboy (2005)
Mr. Bean’s Holiday (2007)
Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
District 13: Ultimatum (2009)
Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Iron Man (2008)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Wanted (2008)
Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner
Australia (2008)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Memoirs of a Geisha (2005)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
