Kodak Vision 3 Film Neg. Film | 398 Titles
The Rite (2011)
Beasts of the Southern Wild (2012)
Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses | Zeiss Super Speed Lenses
Armored (2009)
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Carnage (2011)
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
The Clink of Ice (2010)
Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier
Cameras | Aaton Penelope Camera
Autoreiji (2010)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano
Cameras | ARRIFLEX 535 B Camera
Confessions of a Shopaholic (2009)
Directed by | P.J. Hogan | Cinematography by | Jo Willems | Editing by | William Goldenberg
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Samsara (2001)
Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier
Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera
Lenses | Schneider Variogon Lenses
127 Hours (2010)
Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Rise of the Planet of the Apes (2011)
Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt
Cameras | ARRICAM Lite (LT) Camera
Wanted (2008)
Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner
Un amour de jeunesse (2011)
Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Bel Ami (2012)
Directed by | Declan Donnellan, Nick Ormerod | Cinematography by | Stefano Falivene | Editing by | Gavin Buckley, Masahiro Hirakubo
Jûsan-nin no shikaku (2010)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Iron Man 2 (2010)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Abraham Lincoln: Vampire Hunter (2012)
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
You Don’t Mess with the Zohan (2008)
Directed by | Dennis Dugan | Cinematography by | Michael Barrett | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
