Kodak Vision 3 Film Neg. Film | 398 Titles
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Now Is Good (2012)
Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert
Lenses | Zeiss Master Prime Lenses
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
La dame de trèfle (2009)
Directed by | Jérôme Bonnell | Cinematography by | Pascal Lagriffoul | Editing by | Laure Gardette
Cameras | ARRICAM Studio (ST) Camera
Lenses | Cooke S4 Lenses
Little Birds (2011)
Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler
Lenses | Panavision Primo Anamorphic Lenses
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
To Rome with Love (2012)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Third Star (2010)
Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis
Cameras | ARRI Cameras
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Up in the Air (2009)
The Twilight Saga: Breaking Dawn – Part 1 (2011)
