Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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JCVD (2008)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Mabrouk El Mechri | Cinematography by | Pierre-Yves Bastard | Editing by | Kako Kelber

Starring | Jean-Claude Van Damme, Valérie Bodson, Hervé Sogne, Rock Chen

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses

The Rookie (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 120 Minutes

The Rookie | ShotOnWhat?

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Charlie Sheen, Raul Julia, Sonia Braga

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Panavision Super Speed Lenses

Traffic (2000)

Motion Picture | 2D | Color | 1.85:1 | 147 Minutes

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | Michael Douglas, Benicio Del Toro, Catherine Zeta-Jones, Jacob Vargas

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Mamma Mia! (2008)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

Mamma Mia! | ShotOnWhat?

Directed by | Phyllida Lloyd | Cinematography by | Haris Zambarloukos | Editing by | Lesley Walker

Starring | Meryl Streep, Pierce Brosnan, Amanda Seyfried, Stellan Skarsgård

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Box of Moon Light (1996)

Motion Picture | 2D | Color | 1.66:1 | 112 Minutes

Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo

Starring | John Turturro, Sam Rockwell, Catherine Keener, Lisa Blount

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Race to Witch Mountain (2009)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Race to Witch Mountain | ShotOnWhat?

Directed by | Andy Fickman | Cinematography by | Greg Gardiner | Editing by | David Rennie

Starring | Dwayne Johnson, Carla Gugino, AnnaSophia Robb, Alexander Ludwig

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Divine Secrets of the Ya-Ya Sisterhood (2002)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus

Starring | Sandra Bullock, Ellen Burstyn, Fionnula Flanagan, James Garner

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

A Civil Action (1998)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman

Starring | John Travolta, Robert Duvall, Kathleen Quinlan, Tony Shalhoub

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Alamo (2004)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

The Alamo | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason

Starring | Dennis Quaid, Billy Bob Thornton, Emilio Echevarría, Jason Patric

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bulworth (1998)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Robert C. Jones, Billy Weber

Starring | Warren Beatty, Halle Berry, Kimberly Deauna Adams, Vinny Argiro

Obsessed (2009)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

Obsessed | ShotOnWhat?

Directed by | Steve Shill | Cinematography by | Ken Seng | Editing by | Paul Seydor

Starring | Beyoncé, Idris Elba, Ali Larter, Jerry O'Connell

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Lost in Translation (2003)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

Eat Pray Love (2010)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Ryan Murphy | Cinematography by | Robert Richardson | Editing by | Bradley Buecker

Starring | Julia Roberts, Javier Bardem, Richard Jenkins, Viola Davis

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

It’s All About Love (2003)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

It’s All About Love | ShotOnWhat?

Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir

Starring | Joaquin Phoenix, Claire Danes, Sean Penn, Douglas Henshall

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Straw Dogs (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd

Starring | James Marsden, Kate Bosworth, Alexander Skarsgård, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

61* (2001)

Television Movie | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow

Starring | Barry Pepper, Thomas Jane, Anthony Michael Hall, Richard Masur

Cameras | ARRIFLEX 435 ES Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Hawk 150-450 mm T2.8 Lens

The General’s Daughter (1999)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

The General’s Daughter | ShotOnWhat?

Directed by | Simon West | Cinematography by | Peter Menzies Jr. | Editing by | Glen Scantlebury

Starring | John Travolta, Madeleine Stowe, James Cromwell, Timothy Hutton

Cameras | Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Harry Potter and the Half-Blood Prince (2009)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 153 Minutes

Directed by | David Yates | Cinematography by | Bruno Delbonnel | Editing by | Mark Day

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Death Valley Superstar (2008)

Documentary | 2D | Color | 27 Minutes

Directed by | Michael Yaroshevsky | Cinematography by | Glauco Bermudez, Michael Yaroshevsky | Editing by | Michael Yaroshevsky

Starring | Sheldon Bernhard, Elizabeth Frechette, Ezra Frechette, Harrison Starr

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro Lenses, Zeiss Lenses

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