Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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St. Vincent (2014)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner

Starring | Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Martell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Alien (1979)

Motion Picture | 2D | Color | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Derek Vanlint | Editing by | David Crowther, Terry Rawlings, Peter Weatherley

Starring | Sigourney Weaver, Tom Skerritt, John Hurt, Veronica Cartwright

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Judge (2014)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | David Dobkin | Cinematography by | Janusz Kaminski | Editing by | Mark Livolsi

Starring | Robert Downey Jr., Robert Duvall, Vera Farmiga, Billy Bob Thornton

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Dracula Untold (2014)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson

Starring | Luke Evans, Dominic Cooper, Sarah Gadon, Art Parkinson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Drive Thru (2007)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett

Starring | Leighton Meester, Nicholas D'Agosto, Melora Hardin, Lola Glaudini

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens

Il villaggio di cartone (2011)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Ermanno Olmi | Cinematography by | Fabio Olmi | Editing by | Paolo Cottignola

Starring | Michael Lonsdale, Rutger Hauer, Massimo De Francovich, Alessandro Haber

Cameras | ARRI ARRIFLEX Series Cameras, ARRI Cameras

Keepsake (2008)

Motion Picture | 2D | Color | 101 Minutes

Directed by | Paul Moore | Cinematography by | Todd Gilpin | Editing by | Todd Gilpin

Starring | Robert Pralgo, Sunny La Rose, Liz Blake, Ryan Capps

Cameras | Aaton XTR Prod Camera

Lenses | Cooke S4 Lenses

Everybody Loves Raymond (1996)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro

Starring | Ray Romano, Patricia Heaton, Brad Garrett, Doris Roberts

Cameras | Panavision Cameras

Michael Collins (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 133 Minutes

Directed by | Neil Jordan | Cinematography by | Chris Menges | Editing by | J. Patrick Duffner, Tony Lawson

Starring | Liam Neeson, Aidan Quinn, Julia Roberts, Ian Hart

Fury (2014)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn

Starring | Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Tammy (2014)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Ben Falcone | Cinematography by | Russ T. Alsobrook | Editing by | Michael L. Sale

Starring | Melissa McCarthy, Susan Sarandon, Kathy Bates, Allison Janney

Cameras | Panavision Panaflex Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Foxcatcher (2014)

Motion Picture | 2D | Black & White, Color | 134 Minutes

Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill

Starring | Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Léon: The Professional (1994)

Motion Picture | 2D | Color | 2.35:1 | 110 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra

Starring | Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HR Zoom Lenses, Technovision Lenses

Crash (2004)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne

Starring | Don Cheadle, Sandra Bullock, Thandiwe Newton, Karina Arroyave

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Super Speed Lenses

The Artist (2011)

Motion Picture | 2D | 2K Project | Black & White | 2.39:1 | 100 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius

Starring | Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell

Cameras | ARRIFLEX 435 ES Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tôkyô kazoku (2013)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii

Starring | Isao Hashizume, Kazuko Yoshiyuki, Masahiko Nishimura, Yui Natsukawa

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La grande bellezza (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Le premier homme (2011)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Gianni Amelio | Cinematography by | Yves Cape | Editing by | Carlo Simeoni

Starring | Michel Crémadès, Jacques Gamblin, Mickaël Batret, Jean Benoit Souilh

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

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