Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

The Sting (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 129 Minutes

Directed by | George Roy Hill | Cinematography by | Robert Surtees | Editing by | William Reynolds

Starring | Paul Newman, Robert Redford, Robert Shaw, Charles Durning

Jurassic World (2015)

Motion Picture | 3D | Color | 2.0:1 | 124 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Judy Greer

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Run All Night (2015)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Jaume Collet-Serra | Cinematography by | Martin Ruhe | Editing by | Dirk Westervelt

Starring | Liam Neeson, Ed Harris, Joel Kinnaman, Vincent D'Onofrio

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Julie & Julia (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Nora Ephron | Cinematography by | Stephen Goldblatt | Editing by | Richard Marks

Starring | Amy Adams, Meryl Streep, Chris Messina, Stanley Tucci

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Goliyon Ki Rasleela Ram-Leela (2013)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Sanjay Leela Bhansali | Cinematography by | Ravi Varman | Editing by | Sanjay Leela Bhansali, Rajesh Pandey

Starring | Ranveer Singh, Deepika Padukone, Supriya Pathak, Sharad Kelkar

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

The Remnant (2001)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Rick Jordan | Cinematography by | John Lazear | Editing by | Erik Anderson

Starring | Rick Jordan, Jeff Marlow, Teresa Castracane, Roxzane T. Mims

Cameras | ARRIFLEX 16SR2 Camera, Cinema Products CP-16R Camera

A-List (2006)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin

Starring | Sally Kirkland, Damon Shalit, Daphne Zuniga, JoAnna Garcia Swisher

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras

Lenses | Cooke Lenses

Con Games (2001)

Direct to Video | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee

Starring | Eric Roberts, Tommy Lee Thomas, Martin Kove, Ross Nolan

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux Lenses

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

Jimmy P. (2013)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud

Starring | Benicio Del Toro, Mathieu Amalric, Gina McKee, Larry Pine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Search (2014)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius

Starring | Bérénice Bejo, Annette Bening, Maksim Emelyanov, Abdul Khalim Mamutsiev

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Saint Laurent (2014)

Motion Picture | 2D | Color | 1.85:1 | 150 Minutes

Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Stéphane Garnier, Fabrice Rouaud

Starring | Gaspard Ulliel, Jérémie Renier, Louis Garrel, Léa Seydoux

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Summilux-C Series Lenses

Mandela: Long Walk to Freedom (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell

Starring | Idris Elba, Naomie Harris, Terry Pheto, Robert Hobbs

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Saving Mr. Banks (2013)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi

Starring | Emma Thompson, Tom Hanks, Annie Rose Buckley, Colin Farrell

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Invisible Woman (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Ralph Fiennes | Cinematography by | Rob Hardy | Editing by | Nicolas Gaster

Starring | Ralph Fiennes, Felicity Jones, Kristin Scott Thomas, Tom Hollander

Cameras | ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

August: Osage County (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | John Wells | Cinematography by | Adriano Goldman | Editing by | Stephen Mirrione

Starring | Meryl Streep, Dermot Mulroney, Julia Roberts, Juliette Lewis

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Leviathan (2014)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Andrey Zvyagintsev | Cinematography by | Mikhail Krichman | Editing by | Anna Mass

Starring | Aleksey Serebryakov, Elena Lyadova, Roman Madyanov, Vladimir Vdovichenkov

Cameras | ARRIFLEX Camera

Lenses | Zeiss Master Prime Lenses

Warrior (2011)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Starring | Tom Hardy, Nick Nolte, Joel Edgerton, Jennifer Morrison

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

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