Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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I tartari (1961)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 83 Minutes

Directed by | Richard Thorpe, Ferdinando Baldi | Cinematography by | Amerigo Gengarelli | Editing by | Maurizio Lucidi

Starring | Victor Mature, Orson Welles, Liana Orfei, Arnoldo Foà

The Cossacks (1960)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 114 Minutes

Directed by | Viktor Tourjansky, Giorgio Venturini | Cinematography by | Massimo Dallamano | Editing by | Antonietta Zita

Starring | Edmund Purdom, John Drew Barrymore, Giorgia Moll, Elena Zareschi

One-Eyed Jacks (1961)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 141 Minutes

Directed by | Marlon Brando | Cinematography by | Charles Lang | Editing by | Archie Marshek

Starring | Marlon Brando, Karl Malden, Pina Pellicer, Katy Jurado

Cameras | VistaVision Cameras

The Diving Bell and the Butterfly (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 112 Minutes

Directed by | Julian Schnabel | Cinematography by | Janusz Kaminski | Editing by | Juliette Welfling

Starring | Mathieu Amalric, Emmanuelle Seigner, Marie-Josée Croze, Anne Consigny

Cameras | ARRIFLEX 435 Camera

Lenses | ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

The Trouble with Harry (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 99 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Alma Macrorie

Starring | John Forsythe, Shirley MacLaine, Edmund Gwenn, Mildred Natwick

Cameras | VistaVision Cameras

The Man Who Knew Too Much (1956)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Doris Day, Brenda de Banzie, Bernard Miles

Cameras | VistaVision Cameras

Funny Face (1957)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Stanley Donen | Cinematography by | Ray June | Editing by | Frank Bracht

Starring | Audrey Hepburn, Fred Astaire, Kay Thompson, Michel Auclair

Cameras | VistaVision Cameras

Doubt (2008)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 104 Minutes

Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor

Starring | Meryl Streep, Philip Seymour Hoffman, Amy Adams, Viola Davis

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Milk (2008)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 128 Minutes

Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Elliot Graham

Starring | Sean Penn, Josh Brolin, Emile Hirsch, Diego Luna

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

The Visitor (2007)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle

Starring | Richard Jenkins, Haaz Sleiman, Danai Gurira, Hiam Abbass

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss DigiPrime Lenses

The Greatest Story Ever Told (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 260 Minutes

Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill

Starring | Max von Sydow, Dorothy McGuire, Charlton Heston, Michael Anderson Jr.

Cameras | Ultra Panavision 70 Camera

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Khartoum (1966)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 128 Minutes

Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell

Starring | Charlton Heston, Laurence Olivier, Richard Johnson, Ralph Richardson

Cameras | Ultra Panavision 70 Camera

Battle of the Bulge (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 167 Minutes

Directed by | Ken Annakin | Cinematography by | Jack Hildyard

Starring | Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews

Cameras | Ultra Panavision 70 Camera

Airport (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 137 Minutes

Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore

Starring | Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg

Cameras | Todd-AO 65mm Camera

The Last Valley (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 128 Minutes

Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom

Starring | Michael Caine, Omar Sharif, Florinda Bolkan, Nigel Davenport

Cameras | Todd-AO 65mm Camera

Porgy and Bess (1959)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 138 Minutes

Directed by | Otto Preminger, Rouben Mamoulian | Cinematography by | Leon Shamroy | Editing by | Daniel Mandell

Starring | Sidney Poitier, Dorothy Dandridge, Sammy Davis Jr., Pearl Bailey

Cameras | Todd-AO 65mm Camera

Embrace of the Serpent (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 125 Minutes

Directed by | Ciro Guerra | Cinematography by | David Gallego | Editing by | Etienne Boussac

Starring | Nilbio Torres, Jan Bijvoet, Antonio Bolivar, Brionne Davis

Cameras | ARRICAM Lite (LT) Camera

Lo mejor de mí (2007)

Motion Picture | 2D | Film Project | Color | 85 Minutes

Directed by | Roser Aguilar | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana

Starring | Marian Álvarez, Juan Sanz, Lluís Homar, Alberto Jiménez

Cameras | ARRI Cameras, ARRIFLEX 35 BL4 Camera

Sette opere di misericordia (2011)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero

Starring | Roberto Herlitzka, Ignazio Oliva, Olimpia Melinte, Stefano Cassetti

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

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