Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Rocky Balboa (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 102 Minutes

Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson

Starring | Sylvester Stallone, Antonio Tarver, Milo Ventimiglia, Burt Young

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Lenses | Zeiss Master Prime Lenses

CSI: Miami (2002)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

Elf (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental

Starring | Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Hulk (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 138 Minutes

Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres

Starring | Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Good Time (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie

Starring | Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Don Quixote (1973)

Motion Picture | Film Project | Color | 111 Minutes

Don Quixote | ShotOnWhat?

Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley

Starring | Robert Helpmann, Ray Powell, Rudolf Nureyev, Francis Croese

Cameras | Mitchell BNC Camera

Lenses | Angenieux 24-240 mm f2.6 Zoom Lens

Billy’s Hollywood Screen Kiss (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 92 Minutes

Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt

Starring | Sean Hayes, Brad Rowe, Armando Valdes-Kennedy, Mr. Dan

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision Auto-Panatar B50 50 mm T2.5, Panavision HS35 35 mm T1.4 Lens

Anthropoid (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler

Starring | Jamie Dornan, Cillian Murphy, Brian Caspe, Karel Hermánek Jr.

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Suicide Squad (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy

Starring | Will Smith, Jared Leto, Margot Robbie, Viola Davis

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Two and a Half Men (2003)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos

Starring | Jon Cryer, Ashton Kutcher, Angus T. Jones, Conchata Ferrell

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

Arthur (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White

Starring | Russell Brand, Helen Mirren, Jennifer Garner, Greta Gerwig

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Angels and Insects (1995)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Philip Haas | Cinematography by | Bernard Zitzermann | Editing by | Belinda Haas

Starring | Mark Rylance, Kristin Scott Thomas, Patsy Kensit, Jeremy Kemp

The Portrait of a Lady (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 144 Minutes

Directed by | Jane Campion | Cinematography by | Stuart Dryburgh | Editing by | Veronika Jenet

Starring | Nicole Kidman, John Malkovich, Barbara Hershey, Martin Donovan

Ulee’s Gold (1997)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Directed by | Victor Nunez | Cinematography by | Virgil Mirano | Editing by | Victor Nunez

Starring | Peter Fonda, Patricia Richardson, Christine Dunford, Tom Wood

In & Out (1997)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson

Starring | Kevin Kline, Joan Cusack, Tom Selleck, Matt Dillon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Four Days in September (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery

Starring | Alan Arkin, Pedro Cardoso, Fernanda Torres, Luiz Fernando Guimarães

Cameras | ARRIFLEX 535 B Camera

Beyond Silence (1996)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommel

Starring | Sylvie Testud, Tatjana Trieb, Howie Seago, Emmanuelle Laborit

Ayn Rand: A Sense of Life (1997)

Documentary | 2D | Black & White, Color | 1.85:1 | 145 Minutes

Directed by | Michael Paxton | Cinematography by | Alik Sakharov | Editing by | Christopher Earl, Lauren A. Schaffer

Starring | Sharon Gless, Michael S. Berliner, Harry Binswanger, Sylvia Bokor

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Clouds of Sils Maria (2014)

Motion Picture | 2D | Black & White, Color | 124 Minutes

Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monnier

Starring | Juliette Binoche, Kristen Stewart, Chloë Grace Moretz, Lars Eidinger

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

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