Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Imitation Game (2014)

Motion Picture | 2D | Black & White, Color | 114 Minutes

Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg

Starring | Benedict Cumberbatch, Keira Knightley, Matthew Goode, Allen Leech

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Snowpiercer (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Steve M. Choe, Changju Kim

Starring | Chris Evans, Jamie Bell, Tilda Swinton, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Nightcrawler (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jake Gyllenhaal, Rene Russo, Bill Paxton, Riz Ahmed

Cameras | ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Chocolat (2000)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Lasse Hallström | Cinematography by | Roger Pratt | Editing by | Andrew Mondshein

Starring | Juliette Binoche, Judi Dench, Alfred Molina, Carrie-Anne Moss

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

The Butterfly Effect (2004)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Eric Bress, J. Mackye Gruber | Cinematography by | Matthew F. Leonetti | Editing by | Peter Amundson

Starring | Ashton Kutcher, Amy Smart, Melora Walters, Elden Henson

Breakfast at Tiffany’s (1961)

Motion Picture | 2D | Color | 115 Minutes

Directed by | Blake Edwards | Cinematography by | Franz Planer, Philip H. Lathrop | Editing by | Howard A. Smith

Starring | Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen

Recien cazado (2009)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Rene Bueno | Cinematography by | Alberto Lee | Editing by | Rene Bueno, Zeiddy Silva-Rios Viggiano

Starring | Jaime Camil, Gabriela Vergara, Ruben Zamora, Dino García

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses

600 kilos d’or pur (2010)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Éric Besnard | Cinematography by | Jean-Marie Dreujou | Editing by | Christophe Pinel

Starring | Clovis Cornillac, Audrey Dana, Patrick Chesnais, Claudio Santamaria

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

One Flew Over the Cuckoo’s Nest (1975)

Motion Picture | 2D | Film Project | Color | 133 Minutes

Directed by | Milos Forman | Cinematography by | Haskell Wexler | Editing by | Sheldon Kahn, Lynzee Klingman

Starring | Jack Nicholson, Louise Fletcher, Will Sampson, Michael Berryman

West Side Story (1961)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 153 Minutes

Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanford

Starring | Natalie Wood, George Chakiris, Richard Beymer, Russ Tamblyn

Cameras | Mitchell FC 65mm Camera, Super Panavision-70 Camera

My Fair Lady (1964)

Motion Picture | 2D | Film Project | Color | 170 Minutes

Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler

Starring | Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White

Cameras | Super Panavision-70 Camera

Patton (1970)

Motion Picture | 2D | Film Project | Color | 172 Minutes

Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler

Starring | George C. Scott, Karl Malden, Stephen Young, Michael Strong

Cameras | Mitchell FC 65mm Camera

The Pianist (2002)

Motion Picture | 2D | Black & White, Color | 150 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Adrien Brody, Thomas Kretschmann, Frank Finlay, Emilia Fox

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Fargo (1996)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | William H. Macy, Frances McDormand, Steve Buscemi, Peter Stormare

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

Grace of Monaco (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan

Starring | Nicole Kidman, Tim Roth, André Penvern, Frank Langella

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

Serpico (1973)

Motion Picture | 2D | Color | 130 Minutes

Directed by | Sidney Lumet | Cinematography by | Arthur J. Ornitz | Editing by | Dede Allen, Richard Marks

Starring | Al Pacino, John Randolph, Jack Kehoe, Biff McGuire

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Enter the Dragon (1973)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Robert Clouse | Cinematography by | Gil Hubbs | Editing by | Kurt Hirschler, George Watters, Peter Cheung

Starring | Bruce Lee, John Saxon, Jim Kelly, Ahna Capri

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Angenieux Lenses

Labyrinth (1986)

Motion Picture | 2D | Color | 101 Minutes

Directed by | Jim Henson | Cinematography by | Alex Thomson | Editing by | John Grover

Starring | David Bowie, Jennifer Connelly, Toby Froud, Shelley Thompson

Le Havre (2011)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Aki Kaurismäki | Cinematography by | Timo Salminen | Editing by | Timo Linnasalo

Starring | André Wilms, Blondin Miguel, Jean-Pierre Darroussin, Kati Outinen

Cameras | ARRI Cameras

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