ARRIFLEX 16mm Cameras | 104 Titles
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
A Better Place (1997)
Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira
Cameras | ARRIFLEX 16SR Camera
All My Friends Are Leaving Brisbane (2007)
Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Angenieux HR Zoom Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
Blue Valentine (2010)
Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane
Cameras | ARRIFLEX 416 Camera, Red One Camera
Lenses | Angenieux Lenses, Zeiss Lenses
20 sigarette (2010)
Directed by | Aureliano Amadei | Cinematography by | Vittorio Omodei Zorini | Editing by | Alessio Doglione
Cameras | ARRIFLEX 416 Camera
Half Nelson (2006)
Directed by | Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Junebug (2005)
Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Super Speed Lenses
Southern Justice (2006)
Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
Boy A (2007)
Directed by | John Crowley | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti
Cameras | ARRIFLEX 416 Camera
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Desire Street (2011)
Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu
Cameras | ARRIFLEX 16mm Cameras
Unknown (2011)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera
The Rum Diary (2011)
Directed by | Bruce Robinson | Cinematography by | Dariusz Wolski | Editing by | Carol Littleton
Lenses | Zeiss Ultra Prime Lenses
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
The Runaways (2010)
Directed by | Floria Sigismondi | Cinematography by | Benoît Debie | Editing by | Richard Chew
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Master Prime Lenses
Making Up! (1993)
Directed by | Katja von Garnier | Cinematography by | Torsten Breuer | Editing by | Katja von Garnier
Cameras | ARRIFLEX 16SR3 Camera