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ARRIFLEX 16mm Cameras | 108 Titles

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Super 8 (2011)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Elle Fanning, AJ Michalka, Kyle Chandler, Joel Courtney

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Aizea: City of the Wind (2001)

Short Film | 2D | Color | 1.66:1 | 29 Minutes

Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler

Starring | Laura Bayonas, Dantes Sivilla, Edwin Bourgqes, Andrew Aguayo

Cameras | ARRIFLEX 16SR2 Camera

Black Swan (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Zeiss Ultra 16 Lenses

YPF (2007)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Martin Gero | Cinematography by | Arthur E. Cooper | Editing by | Mike Banas

Starring | Aaron Abrams, Carly Pope, Kristin Booth, Josh Dean

Cameras | ARRIFLEX 16SR3 Camera

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

A Better Place (1997)

Motion Picture | 2D | Color | 1.66:1 | 87 Minutes

Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira

Starring | Eion Bailey, Robert DiPatri, Joseph Cassese, Carmen Llywelyn

Cameras | ARRIFLEX 16SR Camera

All My Friends Are Leaving Brisbane (2007)

Motion Picture | 2D | Color | 1.85:1 | 76 Minutes

Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott

Starring | Charlotte Gregg, Matt Zeremes, Ryan Johnson, Cindy Nelson

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | Angenieux HR Zoom Lenses

W.E. (2011)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 119 Minutes

Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull

Starring | Abbie Cornish, James D'Arcy, Andrea Riseborough, Oscar Isaac

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Ultra Prime Lenses

The Wrestler (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum

Starring | Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Mark Margolis

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra 16 Lenses

Blue Valentine (2010)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 112 Minutes

Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Michelle Williams, John Doman, Faith Wladyka

Cameras | ARRIFLEX 416 Camera, Red One Camera

Lenses | Angenieux Lenses, Zeiss Lenses

20 sigarette (2010)

Motion Picture | 2D | 1.85:1 | 94 Minutes

20 sigarette | ShotOnWhat?

Directed by | Aureliano Amadei | Cinematography by | Vittorio Omodei Zorini | Editing by | Alessio Doglione

Starring | Vinicio Marchioni, Carolina Crescentini, Giorgio Colangeli, Orsetta De Rossi

Cameras | ARRIFLEX 416 Camera

Half Nelson (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ryan Fleck | Cinematography by | Andrij Parekh | Editing by | Anna Boden

Starring | Ryan Gosling, Anthony Mackie, Shareeka Epps, Jeff Lima

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Taking Woodstock (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres

Starring | Demetri Martin, Henry Goodman, Edward Hibbert, Imelda Staunton

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Junebug (2005)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 106 Minutes

Directed by | Phil Morrison | Cinematography by | Peter Donahue | Editing by | Joe Klotz

Starring | Embeth Davidtz, Alessandro Nivola, David Kuhn, Alicia Van Couvering

Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Southern Justice (2006)

Motion Picture | 2D | Color | 96 Minutes

Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig

Starring | M.D. Selig, Michael Childers, Lisa Robert, Rico Cymone

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses

Apollo 18 (2011)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.85:1 | 86 Minutes

Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier

Starring | Warren Christie, Lloyd Owen, Ryan Robbins, Michael Kopsa

Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses | Panavision Primo Digital Lenses

Boy A (2007)

Motion Picture | Color | 1.85:1 | 102 Minutes

Boy A | ShotOnWhat?

Directed by | John Crowley | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti

Starring | Andrew Garfield, Peter Mullan, Shaun Evans, Siobhan Finneran

Cameras | ARRIFLEX 416 Camera

High Crimes (2002)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

High Crimes | ShotOnWhat?

Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian

Starring | Jim Caviezel, Morgan Freeman, Ashley Judd, Adam Scott

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Desire Street (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 82 Minutes

Directed by | Roberto F. Canuto, Xiaoxi Xu | Cinematography by | Roberto F. Canuto, Xiaoxi Xu | Editing by | Roberto F. Canuto, Xiaoxi Xu

Starring | Alejandra Walker, Ellen Clifford, Javier Lopez, Alexandra Smothers

Cameras | ARRIFLEX 16mm Cameras

Unknown (2011)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Unknown | ShotOnWhat?

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Timothy Alverson

Starring | Liam Neeson, Diane Kruger, January Jones, Aidan Quinn

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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