ARRI Cameras | 2118 Titles
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
Couples Retreat (2009)
Directed by | Peter Billingsley | Cinematography by | Eric Alan Edwards | Editing by | Dan Lebental
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Amour (2012)
Directed by | Michael Haneke | Cinematography by | Darius Khondji | Editing by | Nadine Muse, Monika Willi
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Bob Roberts (1992)
Directed by | Tim Robbins | Cinematography by | Jean Lépine | Editing by | Lisa Zeno Churgin
Cameras | Aaton Cameras, ARRIFLEX Camera
Lenses | ARRI Lenses
Logan’s Run (1976)
Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman
Cameras | ARRIFLEX Camera, Mitchell Cameras
Double Team (1997)
Directed by | Hark Tsui | Cinematography by | Peter Pau | Editing by | Bill Pankow
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Alatriste (2006)
Directed by | Agustín Díaz Yanes | Cinematography by | Paco Femenia | Editing by | José Salcedo
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Charlie St. Cloud (2010)
Directed by | Burr Steers | Cinematography by | Enrique Chediak | Editing by | Padraic McKinley
Lenses | Hawk V-Series Lenses
Across 110th Street (1972)
Directed by | Barry Shear | Cinematography by | Jack Priestley | Editing by | Byron 'Buzz' Brandt, Carl Pingitore
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
The Last Emperor (1987) 
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani
Cameras | ARRIFLEX 35 BL Camera
Lenses | Technovision Lenses
Enter the Void (2009)
Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel
Outpost: Black Sun (2012)
Directed by | Steve Barker | Cinematography by | Darran Tiernan | Editing by | Bill Gill, Chris Gill
Cameras | ARRI ALEXA Camera
Frost/Nixon (2008)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
Bloodeaters (1980)
Directed by | Charles McCrann | Cinematography by | David Sperling | Editing by | Charles McCrann, David Sperling
Cameras | ARRIFLEX Camera
The Town (2010)
Directed by | Ben Affleck | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Brother from Another Planet (1984)
Directed by | John Sayles | Cinematography by | Ernest R. Dickerson | Editing by | John Sayles
Cameras | ARRIFLEX 35 BL2 Camera
Lenses | Angenieux Lenses, Zeiss Lenses
She Hate Me (2004)
Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown
Cameras | Aaton A-Minima Camera, ARRI Cameras
Angel Eyes (2001)
Directed by | Luis Mandoki | Cinematography by | Piotr Sobocinski | Editing by | Gerald B. Greenberg
Little Fockers (2010)
Directed by | Paul Weitz | Cinematography by | Remi Adefarasin | Editing by | Greg Hayden, Leslie Jones, Myron Kerstein
Cameras | ARRI Cameras
Don’t Be Afraid of the Dark (2010)
Directed by | Troy Nixey | Cinematography by | Oliver Stapleton | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
