ARRI Cameras | 2118 Titles
Rock of Ages (2012)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Emma E. Hickox
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Steal Big Steal Little (1995)
Music and Lyrics (2007)
Directed by | Marc Lawrence | Cinematography by | Xavier Grobet | Editing by | Susan E. Morse
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
China Strike Force (2000)
Directed by | Stanley Tong | Cinematography by | Jeffrey C. Mygatt | Editing by | Pietro Cecchini, Chi Wai Yau
Alex Cross (2012)
Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
The Magic of Belle Isle (2012)
Directed by | Rob Reiner | Cinematography by | Reed Morano | Editing by | Dorian Harris
Cameras | ARRI ALEXA Camera
The Lives of Others (2006)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Hagen Bogdanski | Editing by | Patricia Rommel
Cameras | ARRIFLEX 535 B Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
What to Expect When You’re Expecting (2012)
Directed by | Kirk Jones | Cinematography by | Xavier Grobet | Editing by | Michael Berenbaum
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
A Walk to Remember (2002)
Directed by | Adam Shankman | Cinematography by | Julio Macat | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Argo (2012) 
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Jo sok (2005)
Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Girl with a Pearl Earring (2003)
Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Ghastly Love of Johnny X (2012)
Directed by | Paul Bunnell | Cinematography by | Francisco Bulgarelli | Editing by | Russell Harnden III
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Abominable (2006)
Directed by | Ryan Schifrin | Cinematography by | Neal Fredericks | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
19 Revolutions (2004)
Directed by | Sridhar Reddy | Cinematography by | Ajay Vincent | Editing by | A. Sreekar Prasad
Cameras | ARRIFLEX Camera
The Devil Wears Prada (2006)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Studio (ST) Camera
